A Quote by Gerhard Richter
Architecture was, or is, a kind of hobby, an inclination I have to fiddling around and building things. Putting up shelves or cupboards, or making tools, or designing houses ... it always has a functional or social motivation. If social changes are in the air, I am gripped immediately by the desire to build, and I think that I accelerate or anticipate changes in my life by doing so, at least in draft. In the case of my house, that was anticipation: in other words, first build, then change one's life.
Quote Topics
Accelerate
Air
Always
Am
Anticipate
Anticipation
Architecture
Around
Build
Building
Building Things
Case
Change
Changes
Cupboards
Designing
Desire
Doing
Draft
First
Functional
Hobby
House
Houses
Immediately
In Other Words
Inclination
Kind
Least
Life
Making
Motivation
My Life
Other
Putting
Shelves
Social
Social Change
Then
Things
Think
Tools
Up
Words
Quote Author
Related Quotes
It's harder to build than destroy. To build is to engage and change. In jazz, we call progressing harmonies changes. Changes are like obstacles on a speed course. They demand your attention and require you to be present. They are coming...they are here..... and then they are gone. It's how life comes. Each moment is a procession from the future into the past and the sweet spot is always the present. Live in that sweet spot. Be present.
Change is freedom, change is life. It's always easier not to think for oneself. Find a nice safe hierarchy and settle in. Don't make changes, don't risk disapproval, don't upset your syndics. It's always easiest to let yourself be governed. There's a point, around age twenty, when you have to choose whether to be like everybody else the rest of your life, or to make a virtue of your peculiarities. Those who build walls are their own prisoners. I'm going to go fulfil my proper function in the social organism. I'm going to go unbuild walls.
As an architect it is very important that you distinguish between different realities. There's the reality of the drawing and the reality of the building. So one could say, or at least it is the common belief that architecture has to be built; I always denied that, because ultimately it is based on an idea. I don't ever need a building to verify my idea. Of course, what with a building is more its vanity and actual physical experience. But I anticipate; I wouldn't even build it if I could not anticipate how it would be.
Life can be a lot broader... when you realize one simple thing: everything around us that we call life was made up of people that are no smarter than you. And you can build your own things and you can build your own life that other people can live in. So build a life, don't live one, find your opportunities and always be sexy.
As a kid, I was always building things. My father had a shop in the house, and we built things - we were kind of a project family. I started out as a painter, and then painting led to cinema, and in cinema, you get to build so many things, or help build them.
Life can be a lot broader... when you realize one simple thing: And that is that everything around us that we call life was made up by people who were no smarter than you. And you can build your own life that other people can live in. So build a life. Don't live one. Build one. Find your opportunity, and always be sexy.
It's no longer possible to simply build English country houses out of words, because they've already been so thoroughly described that all the applicable words have been used up, and one is forced to build them instead out of words recycled and scavenged from other descriptions of other country houses.
You never build the perfect building. Only Allah is perfect. Life is such. You make decisions on conclusions, then some guy invents something else and the world changes. That's comforting. There's no one way to use museums, no one way to do art. That also means there is no one way to build museums.
People think that you have to do something huge, like go to Africa and build a school, but you can make a small change in a day. If you change Wednesday, then you change Thursday. Pretty soon it's a week, then a month, then a year. It's bite-size, as opposed to feeling like you have to turn your life inside out to make changes.
When I left the work world, I started designing my dream house. I dived into architecture and bought seven vacant lots. My plan was to build one house, move in, and build the next. If the next was better, I'd move in and sell the previous one - so on and so forth.
What I find in a creative company is while there is a desire to build a management foundation that can feel clear and consistent, the unique product we're in Illumination Entertainment making doesn't always allow for that. So rather than following management strategy that talks about building your structure and then staffing that structure, I tend to build the structure around the strengths of the individual people we have.
I try to be a partygoer. But at some point I don't know why I'm doing it and fall back. I've been using repression, the struggle between behaving as a social animal. You're seeking to be honest with your free will, less conflict. I think that's an important subject with me. That's who I am, how I was brought up. I think I use that a lot. I mistrust everything I think. Things you think you can trust, believe in, or hang on to, changes. That's the essence of life.
I think I'm actually quite a materialistic person, I value what it takes to make a car or build a nice house. Money does change things, but how it changes people depends on how they react to it.
If there is no idea in the drawing, there is no idea in the constructed project. That's the expression of the idea. Architects make drawings that other people build. I make the drawings. If someone wants to build from those, that's up to them. I feel I'm making architecture. I believe the building comes into being as soon as it's drawn.
Starbucks trying to build a different kind of company around the balance of profitably and benevolence. A social conscience. And that isn't a program it has to be a way of life.
Because the utopian's worldview was framed around moving toward this perfected future, it helped stimulate the private exertions that add up to social progress. Progress is work. People need to build things and sacrifice and have a harder life for things to get better. On its own, I don't think even the most brilliant critique stimulates that kind of effort as well as an appealing vision of the future.
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