A Quote by Gerry Cooney

The way to beat the Klitschkos is to get inside, under the jab, and bang to the body. Do that for two or three or four rounds and then the hands will come down and then you turn them over. It's like chopping a tree down. These guys try to headhunt when they fight them and that won't work. But you back them up, the younger brother especially, and he loses heart.
I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning.
I'll get home from work on Friday night and take out some beans and soak them. The next morning, I'll put them in a pot for soup, then just keep chopping, chopping, chopping - carrots and celery and cabbage - and in two or three hours, you have this wonderful, mellow soup that fills up the whole house with its aroma.
So we, Democrats, have a responsibility there, every one of us, both to try to treat the Republicans with respect and as human beings to try to work with them on every issue we can, and then if those cannons are fired at us, we've got to stand up and fight back. If you lay down and you look like a deer caught in the headlights, then you will confirm the assault. And so we have to fight back.
Like running the hurdles. Work so hard, jump over every one, fast, high enough but no higher, because you can't afford to hang in the air. And then, when the race is over, you're dripping with sweat, either they beat you or you beat them ... and then a couple of guys come out and move the hurdles out of the way. Turns out they were nothing. All that work to jump over them, but now they're gone.
When you look at police violence, over the last three or four years, whether you call it a social, economic or racial thing, these are the guys that we're supposed to trust. These are the guys who are given these guns and weapons to protect us. Not to use them upon us, but to protect us, and they can't even get it right. So, if they can't get it right, how can you fault a society for fearing them, and fearing them in a way that makes them want to take up arms and fight back.
I kind of grew up my whole life as an underdog. I had two older brothers who would beat on me and then let me know I wasn't much compared to them. And it's still like that. Guys like that keep you humble, being around them every day and realizing I'm still the little brother to them.
My best friend had a hockey scholarship at Ohio State, so I would get a couple of pairs at the beginning of the season and send them down to him. They practised two hours a day. He'd skate in them for three weeks then ship them back.
'Writing' is the wrong way to describe what happens to words in a movie. First, you put down words. Then you rehearse them with actors. Then you shoot the words. Then you edit them. You cut a lot of them, you fudge them, you make up new ones in voice-over. Then you cut it and throw it all away.
I don't get tired. I get beat up. You keep chopping on a tree, you need to give the tree some rest so the chlorophyll will fill back up and the tree gets its energy back.
What I do is work for three or four years and then I take a year off, and then I come back again and work for three or four years and then take another year off. It is not about just working and then writing for a year. That is not how it is structured. It is about doing very conscious goal-driven activities for four years and then taking a year off in complete surrender to discover facets of myself that I don't know exist and exploring interests with no commercial value associated with them at all.
Lemurs are extraordinarily leapers. I mean they are just really going from tree to tree and then if there is not a tree, they just come down to the ground very gracefully. But it is the music that makes them seem to be dancing. They are basically getting from one place to another and that's just natural for them. They are just natural acrobatic dancers, just the way they move. It's beautiful!
There were eleven publishers in New York City, and when it was all over, I think it went down to four or five, and then finally just the three of them, the Big Three.
You have to realize that most of these guys get in there and fight on heart. I fight with smarts. There is no fighter that is smarter than me. Most of these fighters are ABC, 1-2-3. I am like 4-5-6 levels above them; that's why I'm able to beat them.
A little kid asks my dad why that man is chopping down the tree. Dad: He's not chopping it down. He's saving it. Those branches were long dead from disease. All plants are like that. By cutting off the damage you make it possible for the tree to grow again. You watch - by the end of summer, this tree will be the strongest on the block.
I sit my three sons down and say, 'Listen to me. When the police stop you, immediately comply. Don't walk away, don't smart-mouth; get your hands up and get down on the ground.' If you're not black, you might not have to have that conversation, but I go over and over it with them because I don't want that phone call.
If you invent two or three people and turn them loose in your manuscript, something is bound to happen to them -- you can't help it; and then it will take you the rest of the book to get them out of the natural consequences of that occurrence, and so first thing you know, there's your book all finished up and never cost you an idea.
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