A Quote by Gerry Lopez

In my lifetime, I've met a lot of people who never rode a wave, but we share the same consciousness. Surfing is a kind of a state of mind... I mean, it's a feeling that people have about their life that really, in a way, kind of makes them a surfer.
Surfing also teaches quality . I will wager that it is not the number of waves that makes a session memorable for any given surfer, but that one beautiful wave that he or she waited for … and rode all the way the way to shore.
I believe that in music and in a lot of things it's kind of like surfing, you can have a really big wave sometimes and then you can have a smaller wave.
They call it collective energy. It's that same feeling that you get when you meditate amongst a ton of people. What actually makes the festival feel so special is that while you're watching a band or an artist, you're standing there, kind of feeling the same feeling with so many people in such a small space and that gives you collective energy. It's that kind of strange feeling in which you almost feel people breathing.
Mike Clark, who's a really amazing surfer, got me back into surfing. I surfed a lot from '82 to '86, and then I kind of started slacking.
I think people get excited about someone discovering something that blew their mind when they were younger. I think it makes people kind of nostalgic and happy. That's one of the really great things about the Internet, that it can bring people together in that way of just being interested in the same stuff.
Surfing and music have always been two completely separate things in my life, and a lot of people, especially in the UK, don't really get surfing very much. They think it's the Californian dream. They're like, "Oh, so you're a surfer and you're this and that," and it's like, I go surfing because I like the outdoors. In England it's freezing cold, and it's usually dark and raining and it's the middle of winter, and you do it because it's invigorating. It's like going on a walk in some remote place on the planet. It's really - it's not very glamorous.
I learned to surf for 'Soul Surfer.' Surfing is like golf: You're always battling, and it keeps knocking you down. There are a lot of wipeouts. But when you stay with it and catch that wave, you really taste it. It's magic.
It's kind of a collaborative relationship. Westworld requires the investment of the people watching, and that's what I love about it. It changed my life. When I read the script, I was like, 'This is going to change the way I think about my own life. The way I see myself, the people around me, and the way I choose to exist.' That's what great material does. It transcends just being pop cultural entertainment, and actually involves the mind. It's really fun, and when I see the reactions and theories it makes me really excited. That's why I act.
Well, see, I think it's that most people don't like that lonely feeling. People don't like looking up and feeling small or lost. That's what I think prayer is all about. It doesn't matter which stories they believe in, they're all doing the same thing, kind of casting a line out to outer space, like there's something out there to connect to. It's like people make themselves part of something bigger that way, and maybe it makes them less afraid.
I think the best thing about music is that someone could be writing a song that's so personal, and it tells so many other people's story at the same time. It kind of exemplifies that we are all kind of on the same wave[length] - it's amazing how comforting somebody else's story can be, because we have experienced their story in some way or another, and I can totally relate, and I get to feel that feeling and the expression of that emotion. I get to feel like as a listener, that somebody understands me, which is pretty incredible.
If we can take young people who excel at the highest levels, put them on the same kind of pedestal as the all-state basketball player and the all-state football player, and begin to get the same kind of recognition, it will have a profound effect, and we are finding that it does.
Every part of me is a surfer. I love surfing, and I love the waves that I surf. So that's the thing that I get excited about most: What kind of waves am I going to be able to surf? Am I going to be surfing alone, or will we be surfing waves that no one's surfed before? Second to that is photography.
There's a great tradition among the English of writing about Berlin. It's kind of a state of mind, almost. That even translates in terms of music. A lot of people go to Berlin with the idea that it's a state of mind.
What do you mean, 'playing really creatively'? Can you give me an example?" "Hmm, let's see ... you send the music deep enough into your heart so that it makes your body undergo a kind of a physical shift, and simultaneously the listener's body also undergoes the same kind of physical shift. It's giving birth to that kind of shared state. Probably.
I think a lot of people, when they think about the house, they think of the print. But when people think about Emilio Pucci, I want them to think about this really, really hot girl, so my biggest job is to give her a face and an identity - and I do that by trying to associate that kind of print that people have in their minds with a kind of girl who is free-spirited, rebellious, a little bit rock 'n' roll, and who has a lot of energy, who is up.
I believe in what I call 'the surfer's theory.' You see a really, really big wave. You keep surfing, keep going forward. You just don't look back.
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