A Quote by Gerry Cinnamon

If everybody leaves smiling and laughing and singing and dancing - and most of all, safe - I've done it. — © Gerry Cinnamon
If everybody leaves smiling and laughing and singing and dancing - and most of all, safe - I've done it.
There's a connection when people are dancing, laughing, and singing, and that definitely happens with 'Head Over Boots.'
My character is not sad, not angry. In my house, I'm always laughing, smiling, smiling.
Why have they been telling us women lately that we have no sense of humor -- when we are always laughing? . . . and when we're not laughing, we're smiling.
Here, like everywhere else, laughing and singing, dancing and dreaming are not exactly the whole of reality; and for one ray of sun shining on the hut, the rest of the village remains in the dark.
I do remember smiling quite a bit inside it though since I knew it wouldn't be seen on film - so of course while the poor planet is being blown up I'm smiling and laughing like mad!
When something is new and hard and bright, there ought to be something a little better for it than just being safe, since the safe things are just the things that folks have been doing so long they have worn the edges off and there's nothing to the doing of them that leaves a man to say, That was not done before and it cannot be done again.
It all sounds rather naive and sentimental to be talking about children laughing and dancing and singing together when we all know perfectly well that what children do in real life is snarl and take drugs.
When you see me on the pitch, I will always be smiling, always laughing, always playing jokes. I grew up as somebody who was always laughing. In England, people will tell me that I should not laugh, but you cannot stop me from laughing. It's impossible.
Mac Rebennack, better known as Dr. John, once told me that when a brass band plays at a small club back up in one of the neighborhoods, it’s as if the audience—dancing, singing to the refrains, laughing—is part of the band.
I think everybody thinks they're an amazing singer, but I'm one of those guys who realizes where his limitations are, and it's definitely with singing and dancing.
Streets crowded with people strolling, or sitting at outdoor cafes. And always, talking, gesturing, singing, laughing. I liked Rome immediately.Everybody was a performer.
Everybody knows that smiling is for little girls, the gays and certain kinds of fish who are smiling by accident.
Wine sets even a thoughtful man to singing, or sets him into softly laughing, sets him to dancing. Sometimes it tosses out a word that was better unspoken.
Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.
When you go to a college for acting, at least the college I went to, it's like everybody just singing and dancing and acting, and they all come together, and everyone's talking about head shots... It just turned me off. I was like, 'What is this? I don't understand this. People are singing in the hallways.'
then she was laughing. They both were, and the savage teeth were the most joyous sight Phaedra had seen for a long time. It was as if they were dancing. There it was. Suddenly the strangeness of Quintana of Charyn's face made sense. Because it was a face meant for laughing, but it had never been given a chance.
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