A Quote by Gertrude B. Elion
Nobody... took me seriously. They wondered why in the world I wanted to be a chemist when no women were doing that. The world was not waiting for me.
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Nobody . . . took me seriously. They wondered why in the world I wanted to be a chemist when no women were doing that. The world was not waiting for me.
I would ... go up to the mailbox and sit in the grass, waiting. ... Till it came to me one day there were women doing this with their lives, all over. There were women just waiting and waiting by mailboxes for one letter or another. I imagined me making this journey day after day and year after year, and my hair starting to go gray, and I thought, I was never made to go on like that. ... If there were woman all through life waiting, and women busy and not waiting, I knew which I had to be.
Nobody else took what I was doing seriously, so nobody would want to work with me. I was thought to be a bit eccentric and maybe cranky.
I was doing big roles and, yeah, everything was going great. In the midst of all that, I guess I had already become common in the sense that I became formed into what the world wanted me to be. My desires and my goals were (identified) by the world - the things that would make me (successful) in the sight of the world and would give me a status that I thought was security.
When I started boxing, people laughed at me and said, 'What can women do in boxing?' I took it as a challenge. If men can do it, why can't women? And I became a world champion before my marriage.
I have a general feeling that writers and artists who are in this peculiar situation, of being a persecuted artist, all anyone ever asks about is the persecution. It may well be that's the last thing in the world they want to talk about. There were many years in which every journalist in the world wanted to talk to me, but nobody wanted to talk to me about my work. That felt deeply frustrating because I felt there was an attempt to stifle me as an artist. The best revenge I could have was to write.
To me, I was just doing my job when I took the field, but to understand how close I came to death, I now realize what God has given me when he brought me into this world; he knew what he was doing.
I wondered why I couldn't go the whole way doing what I should any more. This made me sad and tired. Then I wondered why I couldn't go the whole way doing what I shouldn't, the way Doreen did, and this made me even sadder and more tired.
My mother and my two grandmothers, I was lucky to have three women around me growing up that were very special, very elegant women, very beautiful women. They were my first step into the beauty world, let's say, and then the fashion world, of course.
Then they told me about the call from home and that they were taking the threats seriously. I don't know why, but hearing I was being targeted did not worry me. It seemed to me that everyone knows they will die one day. My feeling was nobody can stop death; it doesn't matter if it comes from a Talib or cancer. So I should do whatever I want to do.
I took a great deal of pleasure in it, and I still feel nostalgic about it. However, I felt that it had led me to live in a parallel world of pure invention, shut inside my solitude. Naturally, it was precisely for that purpose that it was made and that was why I took pleasure in it, but I wanted to regain body and roots.
If art is not to be life-enhancing, what is it to be? Half the world is feminine - why is there resentment at a female-oriented art? Nobody asks The Tale of Genji to be masculine! Women certainly learn a lot from books oriented toward a masculine world. Why is not the reverse also true? Or are men really so afraid of women's creativity?
Drugs took me to places; they were like portals. It's kind of a cliché, but they were like portals to altered states of consciousness into ways of imagining the world, or seeing a world beyond this world, or seeing a world beyond this world that I might not have gotten to unless I discovered meditation and a very deep, intense spiritual path based on contemplation and meditation.
I feel like I took opportunities that were given to me to get where I needed to be, but it's not necessarily what I wanted to give back to the world or how I want to inspire people.
It never occurred to me that there were so many wonderful photos that had been orphaned and were out there in the world, waiting to be found. Over time, I found a lot of very strange pictures of kids, and I wanted to know who they were, what their stories were. Since the photos had no context, I decided I needed to make it up.
Nobody took me too seriously but I was grown up even as a baby.
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