A Quote by Gilbert K. Chesterton

In matters of truth the fact that you don't want to publish something is, nine times out of ten, a proof that you ought to publish it. — © Gilbert K. Chesterton
In matters of truth the fact that you don't want to publish something is, nine times out of ten, a proof that you ought to publish it.
Send it to someone who can publish it. And if they won't publish it, send it to someone else who can publish it! And keep sending it! Of course, if no one will publish it, at that point you might want to think about doing something other than writing.
I learned from Linus Pauling it's not a disgrace in science to publish something that's wrong. What's bad is to publish something that's not very interesting.
There's a marvelous peace in not publishing, there's a stillness. When you publish, the world thinks you owe something. If you don't publish, they don't know what you're doing. You can keep it for yourself.
But it's clear to me that us slow-poke writers are a dying breed. It's amazing how thoroughly my young writing students have internalized the new machine rhythm, the rush many of my young writers are in to publish. The majority don't want to sit on a book for four, five years. The majority don't want to listen to the silence inside and outside for their artistic imprimatur. The majority want to publish fast, publish now.
WikiLeaks does not publish from the jurisdiction of Ecuador, from this embassy or in the territory of Ecuador; we publish from France, we publish from, from Germany, we publish from The Netherlands and from a number of other countries, so that the attempted squeeze on WikiLeaks is through my refugee status; and this is, this is really intolerable. [It means] that [they] are trying to get at a publishing organisation; [they] try and prevent it from publishing true information that is of intense interest to the American people and others about an election.
It took a while for anyone to want to publish 'To Repel Ghosts.' I thought people would want to publish a three-hundred-and-fifty-page book about a dead painter, but they didn't.
Horace, when he wrote the Ars Poetica, recommended that poets keep their poems home for ten years; don't let them go, don't publish them until you have kept them around for ten years: by that time, they ought to stop moving on you; by that time, you ought to have them right.
The problem is that with blogging, the model is publish first, maybe fact-check later. In newspapers, the model is you fact check first and then publish. But those models are merging.
The interests of the employers and the employed are the same nine times out of ten-I will even say ninety-nine times out of ten.
You want to publish with a publisher because a publisher knows how to publish a book. And you don't. You really don't.
The Internet destroyed most of the barriers to publication. The cost of being a publisher dropped to almost zero with two interesting immediate results: anybody can publish, and more importantly, you can publish whatever you want.
I believe in instinct, not reason. When reason is right, nine times out of ten it is impotent, and when it prevails, nine times out of ten it is wrong.
The first thing a writer has to do is find another source of income. Then, after you have begged, borrowed, stolen or saved up the money to give you time to write and you spend all of it staying alive while you write, and you write your heart out, after all that, maybe no one will publish it, and if they publish it, maybe no one will read it. That is the hard truth, that is what it means to be a writer.
People want to be bowled over by something special. Nine times out of ten you might strike out, but that tenth time, that peak experience, is what people want. That's what can move the world. That's art.
I paint and I draw and I write and I do other things too, and recently some people at school were asking if I'd ever publish any of my work. But I almost feel like I would have to publish it under another name because there's a definition of me out there that feels kind of stuck in the moment when it was formed.
For me the question that you have to ask, about any magazine, is whether it's needed, whether it's publishing things that no one else could publish, or publish equally well. So there's that.
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