A Quote by Gilbert Murray
The higher Greek poetry did not make up fictitious plots; its business was to express the heroic saga, the myths.
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Greek myths are heroic, noble and tragic; but the American Dream is heroic, comical, and uplifting. Americans are a people in whom overweening ambition is rewarded, not punished. The Wright Brothers did not have their wings melt when they flew too high. Perhaps their wings were more soundly built than those of Icarus.
It's not about superheroes. This is the method of universal storytelling that all people have... To me, they're the same as the Greek myths or the Roman myths or religious figures of every religion. These are common characters that we use to express stories about being a better person or what you would do when faced with various things.
I think of evolution as a myth, like the Norse myths, the Greek myths - anybody's myths. But it was created for a rational age.
It helps to regard soul as an active intelligence, forming and plotting each person's fate. Translators use "plot" to render the ancient Greek word mythos in English. The plots that entangle our souls and draw forth our characters are the great myths. That is why we need a sense of myth and knowledge of different myths to gain insight into our epic struggles, our misalliances, and our tragedies. Myths show the imaginative structures inside our messes, and our human characters can locate themselves against the background of the characters of myth.
I have discovered that if you take all the places of Greek myths, those specific locales turn out to be abundant fossil sites, but there is also a lot of natural knowledge embedded in those myths, showing that Greek perceptions about fossils were pretty amazing for prescientific people.
All my stories are like the Greek and Roman myths, and the Egyptian myths, and the Old and New Testament.
I'm extremely into Greek Mythology and know almost everything about the classic Greek myths.
All the superhero stuff is Greek myths and Greek gods, wearing tights and capes. That's what they are. That's what I gravitate towards.
In poetry you can express almost inexpressible feelings. You can express the pain of loss, you can express love. People always turn to poetry when someone they love dies, when they fall in love.
What is the foundation of that interest all men feel in Greek history, letters, art, and poetry, in all its periods, from the Heroic or Homeric age down to the domestic life of the Athenians and Spartans, four or five centuries later? What but this, that every man passes personally through a Grecian period.
We still like to make up stories, just as our ancestors did, which use personification to explain the great forces of our existence. Such stories, which explain how the world began or where the sun goes when it sets, we call myths. Mythology is a natural product of the symbolizing mind; poets, when not making up myths of their own, are still commanding ancient ones.
The business of the poet is not to find new emotions, but to use the ordinary ones and, in working them up into poetry, to express feelings which are not in actual emotions at all.
The more real things get, the more like myths they become. There have always been myths, but the myths of earlier times were, Im convinced, bad ones, because they made people sick. So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
That's one of those questions that would just love to have a pat answer. You know, poetry's job is to make us feel good. Poetry exists to allow us to express our innermost feelings. There isn't one role for poetry in society. There are many roles for poetry. I wrote a poem to seduce my wife. I wrote a poem when I asked her to marry me. Poetry got me laid. Poetry got me married.
The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.
All the Greek mythic heroes had gone east, but they were myths. Achilles was a myth. Perseus, Theseus, Hercules... they probably existed in some form. But they all went east. That's where a Greek went to make his bones so to speak. And Alexander the Great was the first man who actually went east not to plunder, not to loot and come back to Greece - which is where the Macedonians wanted to go back with the money. He stayed. And he became half-Eastern.
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