A Quote by Glenda Bailey

Alexey Brodovitch used to say, "Astonish me." We as the team at Bazaar hear that everyday because we want to surprise people. — © Glenda Bailey
Alexey Brodovitch used to say, "Astonish me." We as the team at Bazaar hear that everyday because we want to surprise people.
I took Alexey Brodovitch course at the New School. He taught me something that I've always remembered: After we did the initial assignment, he contradicted what he had said the first week, and I said, "Okay." The next week, he contradicted what he had said the second week. We went through 10 weeks of contradicting, and I thought maybe he was drunk. At the end, he said, "You may think I've contradicted myself, but there's no one way to do anything."
I used to go into pubs and people would want to pick a fight with me. I would hear a group of girls say: 'Oh look, there's Pat Cash.' And then one of them would come up to me and say, 'You think you're so good,' and throw a drink in my face. That kind of reaction from people was a bit of a shock initially, and you don't ever really get used to it.
I started rapping because I wanted people to hear what I have to say, I want as many people to hear me as possible, and I do everything in my power to make that pop.
It used to hurt me in the past years to hear people say they want to leave India. But with the experience of past few months, I can say that we have removed that gloom from the minds of the people.
I don't want to be in magazines everyday, because I don't want people to get used to one thing.
The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
People say, "How would you like to be remembered?" I don't want to be remembered. Gimme a break. What I want is to hear what's great about me now. Let me hear it! In the box you don't hear these eulogies.
So it's not gonna be easy. It's going to be really hard; we're gonna have to work at this everyday, but I want to do that because I want you. I want all of you, forever, everyday. You and me... everyday.
I feel like people only want to hear me say funny things. Like, I don't tweet about my kids or being a mom, ever, because I'm very aware that that's annoying for people to hear.
I'm a proud person who happens to be deaf. I don't want to change it. I don't want to wake up and suddenly say, 'Oh my God, I can hear.' That's not my dream. It's not my dream. I've been raised deaf. I'm used to the way I am. I don't want to change it. Why would I ever want to change? Because I'm used to this, I'm happy.
I used to hold back because people would get offended, but now I'm like, 'You're going to hear me, regardless. Whether you accept what I have to say or not is on you.'
It's a privilege to be in this position, to have people want to talk to me, to have people want to hear my story and hear what's going on, because it can easily be on the flip side, and no one wants to talk to me, no one respects me one-on-one, no one in the stands wearing my jersey. It's a blessing.
I firmly believe that Harper's Bazaar is the star. I am there to make it the best it possibly can be, but there should be no confusion. I want to put Harper's Bazaar front and center.
It's no surprise to me or the other Isley brothers that I can sing, because I used to sing all the time in practice. The surprise is that somebody else likes it.
I don't like looking at awards everyday because I feel like they can make you lazy. So, I give them to my Mom and let her look at it everyday. They are symbols of the hard work she put into me. Her sacrifices allowed me and my team to win those awards. But I don't look at any awards everyday.
So we forgive each other?" The crooked smile climbs up one more time. "Again?" And I look right into his eyes, right into him as far as I can see, because I want him to hear me, I want him to hear me with everything I mean and feel and say. "Always," I say to him. "Every time.
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