A Quote by Glenn Danzig

Some of the best sing-along stuff you'll ever hear is Gary Glitter. — © Glenn Danzig
Some of the best sing-along stuff you'll ever hear is Gary Glitter.
I'm the kind of person who can hear that stuff. If you sing along to the radio and you're not going to sing unison with the melody, but find the harmony, I find that pretty easy to do.
...and if you hear something you know, please sing along. No wait - I take that back - you can't sing along - this is about me now - this is my show.
I don't really sing... I just hear notes so I know what it's supposed to sound like, if that makes sense. You ever hear someone try to teach a choir how to sing, but they can't sing? That's me.
I think the best thing about performing as producer is to hear the fans sing along with your tunes.
The first band I was ever in, I played guitar. We did Gary Glitter and Green Day covers at the time. We were called Fizz. I have no idea why we picked that. We were, like, 12 years old.
I just really need to sing and sing and sing and not worry about writing. Just by singing for pleasure, your voice takes you to what it wants to sing. And that is how the best stuff kind of emerges.
I love to sing 'Stay' every night... because people sing along. And they do sing along - loudly!
I learned to glitter the pumpkins for Halloween not because I went into it thinking, 'I'm going to glitter some pumpkins!' No. I bought all of these big, cold, slimy, disgusting pumpkins and tried to carve them, and it was gross, so I had to find something else to do with them. Glitter was life-changing.
The thing about glitter is if you get it on you, be prepared to have it on you forever. Because glitter doesn't go away. Glitter is the herpes of craft supplies.
The best player I ever coached was Gary Payton.
I will never, never ever sing on stage, but when I'm in the studio, I do sing melody lines. When I'm working with singer-songwriters, and I hear melodies, I can guide them. I will be like, 'Oh no, do this this this.' But you will never hear my voice on a Martin Garrix track.
I don't feel pride like that with my own stuff. When I listen to my own music I'm happy with it, but when for example, I hear the beginning of "Last Stand" and I hear Kwabs sing the first line that I helped to write, I just think, wow. I can't believe I was involved in that. I can't even explain what it was like being in that room while we made that. That was really some magic.
Music is the one art we all have inside. We may not be able to play an instrument, but we can sing along or clap or tap our feet. Have you ever seen a baby bouncing up and down in the crib in time to some music? When you think of it, some of that baby's first messages from his or her parents may have been lullabies, or at least the music of their speaking voices. All of us have had the experience of hearing a tune from childhood and having that melody evoke a memory or a feeling. The music we hear early on tends to stay with us all our lives.
When I talk about the chickification of either the news business or football or anything else, some people think I'm joking or making halfhearted fun, little swipes here at feminism, but some of it's really serious stuff. You never, ever, ever hear how women are at fault in anything, just like in this abuse business.
I started to find that music was something that really brought a lot of joy into my life, and it was sort of cool because I discovered that I had a gift for it, too. So the stuff I would listen to I could play along, I could sing along.
Everything I've ever done is out. I don't have boxes of unreleased stuff. There's nothing in the files. I can never keep anything unless I don't like the sound of it or it didn't work. If I can sing it to an engineer, I can sing it to anyone.
This site uses cookies to ensure you get the best experience. More info...
Got it!