A Quote by Glenn McGrath

The night before a game, I'd think about who I was playing, and then how I'd bowled against those guys, if I had got them out previously. While I was playing, I could recall nearly all my wickets and how I got the batsman out.
I got into playing the jazz. I played jazz for a good while. I did the popular stuff first. You got the "Twelfth Street Rag" and those kinds of things. Then I got to hanging around with a bunch of guys starting to playing jazz. We'd go from one place to the other and take our instruments, just perform for free.
I started off playing by ear, and being around a bunch of musicians and playing in the streets and in the different parades and, then, I got accepted to go to New Orleans Center for Creative Artists ... it's where Wynton Marsalis, Harry Connick, Jr. and all those guys went out.
I'm talking about the '60s really. People go interview these guys and ask them, "Do you still think music can change the world?" I mean, go talk to Graham Nash about that. What's he going to tell you? Ask David Crosby. These guys are still out there. They're playing their hits at Staples Center and those are really valuable songs. I'm talking about a couple of the guys who got knee-deep into really believing music had a great service beyond radio. I believe it did. And I think a lot of those songs are great.
I like playing on this team. We actually been doin' real good. Got a different mix here. Most important thing is you gotta keep pickin' up in paces. That's why we're playing contentious play. We got top names, guys can still hit in the majors, guys been out of the game hittin' the ball, shockin' it. Don't have no old, old guys. Not sayin' they don't get a good job done. Fact is, they've been vice versa. So that's incentive right there. It's been a plus.
We've got a lot of guys in here that are playing for pride and contracts and different things. Now that we are out of the race, guys are playing looser and you can see it in our play.
Playing with John Stockton and Karl Malone was great. It was obviously a thrill to play with.Those two were committed to winning and were a stable of their organization for so long. You can't say enough about how they approached the game night in and night out.
Because [Russel Westbrook] is so rare and impacts the game in so many different ways, you see the usage and the amount of time he's playing and say, 'is this sustainable?' I look at it the other way. Are we playing the right way, are we playing together as a team, and what are his minutes like? This is not a guy that's playing 42 minutes a night. When he goes out there he's going to play to who he is, and I think he also understands that in order for our team to be the best we can be he's got to incorporate and help everybody grow as players.
I think there's always enough right in front of me worrying about who's playing the minutes tomorrow, but you've always got to have an eye on a year or two from now and what those guys will do if you think, 'Well, let's give them a full year at the 905 and see how they progress.'
If you want to play the game and win, you've got to play 'full out.' You've got to be willing to feel stupid, and you've got to be willing to try things that might not work - and if they don't work, be willing to change your approach. Otherwise, how could you innovate, how could you grow, how could you discovery who you really are?
Whoever you are playing and whatever you are playing against you have to weigh up tactically how you approach that game. That has always been a part of my make-up, having made my way through every division and finding out what management is all about.
Way before we got a record deal, we were playing clubs seven nights a week, three one-hour sets a night. Then we got the record deal, and we took off on the road and stayed out.
Everybody always asks me about carries, what I thought about it, how I felt, but when you got teammates like that who love you and care for you, it don't matter how you feel or how bad it hurts, you've got to make sure you're making those guys happy by helping them win, getting a victory.
It was in D.C., and I couldn't believe how they were just three guys, but they sounded like six guys. It was amazing. I got spoiled, because that was my first concert. I wish in retrospect I had seen someone like Air Supply, and then my expectations could keep rising. Nothing against Air Supply. "I'm All Out Of Love" is still a classic.
As far as I can see it, anyone who has a problem with what guys do over there is incapable of empathy. People want America to have a certain image when we fight. Yet I would guess if someone were shooting at them and they had to hold their family members while they bled out against an enemy who hid behind their children, played dead only to throw a grenade as they got closer, and who had no qualms about sending their toddler to die from a grenade from which they personally pulled the pin....they would be less concerned with playing nicely.
Not until somebody turns round and says, 'Art, how do you fancy playing Charles Dickens? How do you fancy playing Prince Charles in this biopic?' Until those movements come, then no, we haven't got past anything.
If you got the game, you got the game. That's why Tiger Woods is out there playing golf with Greg Norman.
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