A Quote by Gonjasufi

I didn't get into music until the early 90s when I heard rap music for the first time. — © Gonjasufi
I didn't get into music until the early 90s when I heard rap music for the first time.
This was early '90s and in New York hip-hop was coming on really strong; that was the sort of urban folk music that was almost threatening to eclipse rock music and indie rock music in terms of popularity, which it has certainly gone on to do. But you know, this is the end of the 1980s, beginning of the '90s. The whole independent label thing has really evolved to this incredible point from the early '80s when we started, and there wasn't one record label at all, until a couple people started forming these small labels.
I've always been a fan of music. I would say I'm a fan of late '90s to early 2000s rap. That's where I get all my inspiration from.
I grew up in the '90s. My goal isn't to be a '90s rapper, but I have little hints of '90s influence in my music. It's a modern approach to classic rap.
The computer has always been this ominous, scary thing that came into music, for me, in the early '90s, right when I first started playing music.
Music didn't really hit me again until the '90s, when the dancehall scene got going. The '90s were perfect for me. I would have really liked to have had The Slits out in the '90s again, to do tours and albums, because I think the '90s was a brilliant decade for music.
For the first time, he heard something that he knew to be music. He heard people singing. Behind him, across vast distances of space and time, from the place he had left, he thought he heard music too. But perhaps, it was only an echo.
I came up at a time in the late '60s, early '70s where music was without boundaries. You'd go into a music store, and the music was in alphabetical order. I hadn't heard of that word 'genre.'
I really love rap music. I grew up in the '80s and '90s with Public Enemy, N.W.A., LL Cool J - I'm a hip-hop encyclopedia. But I got kind of frustrated with the chauvinistic side of rap music, the one that makes it hard to write songs about love and relationships.
The first time I toured the U.K. was in the early '90s with Billy Pilgrim, so I know how much the people there love music.
I don't have any sympathy for the subject matter, [but] I have great respect for rap artists. In fact, not for the rap artists, but the people who make the music over which they rap. Rap music - the music itself is incredible - but [the people that make the music] are hardly ever credited.
I heard a lot of different kinds of music. I heard country music, I heard jazz, I heard symphonic music, opera, everything you can think of except very modern music.
The hip-hop that I really connected with was Public Enemy, KRS-One, Ice Cube, and N.W.A. That late '80s and early '90s era. The beginning of gangster rap and the beginning of politically conscious rap. I had a very immature, adolescent feeling of, "Wow, I can really connect with these people through the stories they're telling in this music."
I get sentimental over the music of the ’90s. Deplorable, really. But I love it all. As far as I’m concerned the ’90s was the best era for music ever, even the stuff that I loathed at the time, even the stuff that gave me stomach cramps.
I've never been a rap guy, I don't really know that much about rap music, to be honest. I like it, but I think what really happened was just my music seems to work so well with rap music.
I began playing drums when I was seven and guitar when I was fourteen, but it wasn't until the early '90s that I took music seriously.
It really really sunk into me when I went to Europe and they take rap so much more serious than we do here. That was the first time I ever heard rap considered folk music. And sometimes somebody will make you understand like, "Hey, what you doin' is serious, don't play it lightly 'cause it's changin' my life."
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