A Quote by Gordon Raphael
When I hear music which is really exciting, I get really excited, and when I hear music which is really boring, I get really upset. I get angry.
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When I first started, I wasn't really aware of anything in the industry or aware of who I really was. I just put my music out there and tried to get as many people to hear it as possible. I hadn't really thought about the kind of music I wanted to make.
It's uncomfortable, definitely, but it's also really, really great to talk drums with kids and hear them get excited about music and talk about listening to the drums.
I really get excited when we win. I get really upset when we don't, and I hope that still has a place in the NFL.
A lot of my colleagues just don't really realize that they have to work in order to get the interest of an audience, especially with young kids, especially because it [classical music] is not that popular. You don't see it on TV, you don't hear it on radio, so you really gotta put an effort into promoting classical music.
A lot of church music really inspired me. A lot of ancient music that's made for God. If you get really into the history of music, inevitably you're going to have to get into sacred religious music.
When I first started, I wasn't really aware of anything in the industry or aware of who I really was. I just put my music out there and tried to get as many people to hear it as possible.
But to win, I was overwhelmed - it felt great! I was really excited. I didn't expect it, but I'm also really competitive. As soon as I hear the word "competition" I get serious and start doing everything that I can do.
I want people to hear really exciting music played by the best, but in a context where they can clap when they want to, chase their toddlers, drink beer, take photos, get lost in the music and generally be themselves. And because a field has no rules, it's the perfect place to create unlikely combinations of musical genres.
The main joy I have in owning or being a part of my own label is the platform I've created to really push other artists and this other kind of musical muscle I get to exercise, it's not just me as a creator of music but me as a curator. That's been really exciting and I do get to have the autonomy and control and all those things with my releases, but now I get to go and find artists that I really love and like and share them with the world too.
I'm as patient a father as I am on the tennis court. It takes a lot for me to get really upset, but sometimes kids can get you really cross if they really keep bugging you.
When you get called the n-word, as a black person you can do anything. It's like getting a gold star in Super Mario Brothers and junk. I hear the music when I hear the n-word. I get right into it; I get really into it. You can do anything. You could be in a fancy restaurant - just start throwing poop at the walls. People be like, 'What are you doing?' 'Someone called him the n-word.
I remember as a really young child, watching his energy on the sideline and watching him get excited, his body movement, the way he reacted. It's fun to hear other people tell stories about my dad and the things he did in games and the way he'd get upset with officials.
Playing live is much more natural for me. The instant reaction and the feedback from the audience is great for me. I really relish it. And if you play blues-based music, it's not really academic music or recital music. It really needs a bit of atmosphere and a bit of interplay and a bit of roughness, and you really get that with an audience.
I get bored easily, so I need to do a lot. I've started a record label, so I get to nurture new talent and talk about music, which is a passion of mine. I've written another book. And I get to come to work and do the TV show, which is always really fun.
What happens when I'm making a new album is I try not to listen to music that's coming out at the time. I turn off the radio and don't read any music blogs, because I tend to get really distracted by new music. When I hear it, I think, "Should I be doing that?"
My dad's a musician, and he taught me how to play when I was three, I think, so I've been playing ever since. It's something I've always done. And when you're really young, and you play music for people, people get really excited, so you get this inner sense that you are good at it, even though I've always been really not good at it.
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