A Quote by Grace Kelly
I've been accused of being cold, snobbish, distant. Those who know me well know that I’m nothing of the sort. If anything, the opposite is true. But is it too much to ask to want to protect your private life, your inner feelings? Lots of things touch me and I don’t want to be indiscreet.
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I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body. I want to know where to touch you, I want to know how to touch you. I want to know convince you to design a smile just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
When I ask, “How are you?” that is really what I want to know. I am not asking how many items are on your to-do list, nor asking how many items are in your inbox. I want to know how your heart is doing, at this very moment. Tell me. Tell me your heart is joyous, tell me your heart is aching, tell me your heart is sad, tell me your heart craves a human touch. Examine your own heart, explore your soul, and then tell me something about your heart and your soul.
You know, I'm normally so sanguine. But... being accused of rushing these two books out to cash in on the Newbery Medal, without access to time travel equipment or anything, just makes me want to bang my forehead gently against a tree for half an hour. Is it too much to ask people to think?
It’s just … everything. There are too many people. And I don’t fit in. I don’t know how to be. Nothing that I’m good at is the sort of thing that matters there. Being smart doesn’t matter—and being good with words. And when those things do matter, it’s only because people want something from me. Not because they want me.
I don't want you to write about what you know, because you don't know anything. I don't want to hear about your boyfriend or your grandma... I'm getting a little tired of 'my life story as fiction'. Please don't tell me about your little life - is there nothing larger? More important?
I always say, when I work with younger actresses, "I'm here." Reese says it, too: "We've lived it. We know things. So if there's anything you want to know." I'm careful not to be the preacher, like, "Now, listen to me!" But I do want to be available. Even in terms of things like finances - where do you learn that, if you don't have people you can ask, "Hey, can I ask you a question?"
People don't want to look at you and think, 'Oh, it must have taken her so long to get ready!' It's not as exciting to imagine. They want to imagine your life being - well, the opposite of what it sometimes is, where getting dressed is very regimented, you know? People don't want to know that.
I think - you know, I want to intimidate people when I'm on the field. I want people to be scared of me. That's just kind of the nature of who I am as a person and player. But I also know that you have to be emotional. You have to be in touch with your feelings. I think that's important.
I want your innocence. I want your blind, unquestioning devotion to your father, your acceptance of who and what he is. I want you to look at me the way you look at him, knowing the worst. I want you to trust me, even when your brain tells you you shouldn't, I want you to ignore common sense and your lifelong need to protect yourself. I want you to give yourself to me, body and soul.
I don't know what I want to do. There are people who want me to do things. There's a possible book. There are lots of things to consider. I just have to figure out what I want to do. I'm not one to sit around and do nothing.
For me, you go to university to meet lots of different people from different backgrounds. I think that's one of the most important things you get there. And you also get some sense of direction regarding what you want to do when you leave. I sort of know what I want to do in my life - I want to act and ultimately I'd like to write. And in terms of meeting people from different backgrounds, that's what you get on a film set. So the two most valuable things that university would have given me I've sort of achieved by being on a film set.
You know,” he said, “this is why I love you so much.” Her tone was heartbreakingly warm. “What do you mean?” You don’t ask me to go inside because it’s cold. You just want to make it easier for me to be where I want to stand.
I've learned not to take things personally. We can get offended by anything if we want to. It's not hard to hurt someone's feelings; all they have to do is believe what the offender is saying to be true. No one knows me like I know me, and therefore, no one can hurt me.
If I know you, and you want to touch my hair, you should ask me first, and most of the time I'll say yes. But if I don't know you, and you just reach out and touch me without asking or touch while simultaneously asking, I'm going to give you a side eye.
Win by losing. Before your outer walls break, as break they must, build an inner place to protect your truth. Protect that you are infinite life, choosing its playground; protect that the world you know exists with your consent and for your own good reasons; protect that your purpose and mission is to shine love in your own playful way, in the moments you decide will be most dramatic.
What do you want? "To know you," she said without hesitation. "All of you. I want to know what makes you feel good." "Your laughter," he said without hesitation. "Feeling your hands on me. The way you look at me, whether I've been a complete dumbass, or just made you come-" With a laugh, she ducked her head, but he dipped his down until she was looking at him again. "You want to know what scared me?" he asked. "Yes" He leaned even closer and slid a hand to the nape of her neck. "The thought of never having those things with you again." -Chloe and Sawyer (Head over Heels)
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