A Quote by Graciela Iturbide

I think that any photographer is an investigator. Photography is a pretext to know the world, to know life. To know yourself. — © Graciela Iturbide
I think that any photographer is an investigator. Photography is a pretext to know the world, to know life. To know yourself.
Every time I think I’m getting smarter I realize that I’ve just done something stupid. Dad says there are three kinds of people in the world: those who don’t know, and don’t know they don’t know; those who don’t know and do know they don’t know; and those who know and know how much they still don’t know. Heavy stuff, I know. I think I’ve finally graduated from the don’t-knows that don’t know to the don’t-knows that do.
If you're lucky, I think you know what you want to do with your life. I think that's a greater gift that any of the gifts you might have when you do know, if you know what I mean. It must be awful to not know what to do.
"You know you are seeing such a photograph if you say to yourself, "I could have taken that picture. I've seen such a scene before, but never like that." It is the kind of photography that relies for its strengths not on special equipment or effects but on the intensity of the photographer's seeing. It is the kind of photography in which the raw materials-light, space, and shape-are arranged in a meaningful and even universal way that gives grace to ordinary objects."
I think I'm more grounded, you know, and I know what I want out of life and I'm, you know, my morals are really, you know, strong and I have major beliefs about certain things and I think that has helped me, you know, from being, you know, coming from a really small town.
To us, the difference between the #? photographer as an individual eye and the photographer as an objective recorder seems fundamental, the difference often regarded, mistakenly, as separating photography as art from #? photography as document. But both are logical extensions of what photography means: note-taking on, potentially, everything in the world, from every possible angle.
I know that you know but you do not know that you really do not know - know yourself. Look within and get to know yourself better.
Light makes photography. Embrace light. Admire it. Love it. But above all, know light. Know it for all you are worth, and you will know the key to photography.
I don't know that there were any rules for documentary photography. As a matter of fact, I don't think the term was even very precise. So as far as I'm concerned, the kind of photography I did in the FSA was the kind of photography I still do today, because it is based on passionate concern for the human condition. That is the basis of all the work that I do.
Meditation is a journey to know yourself. Knowing yourself has many layers. Start knowing your bodily discomforts. Know your success, know your failures. Know your fears. Know your irritations. Know your pleasures, joy and happiness. Know your mental wounds. Go deeper and examine every feeling you have.
Computer photography won't be photography as we know it. I think photography will always be chemical.
I think the way you prevent your man from cheating on you is to just have a good understanding about who he is first. If you know that the guy you're with is a player and he's already kind of living the life, you know what you're getting yourself into. You have to be real with yourself.
For me, its like go ahead and eat. Live your life. I mean, I've just seen so much death, you know, as of late, being in my 40s, of people getting sick or, you know, whatever, that I just feel like, you know what? You never know with life. Eat. Enjoy yourself. Just try to be healthy and, you know, and watch it.
You know, the Chinese don't like to be photographed because they believe that a part of their life is being taken away by the photographer. And in a way, they're right. The photographer is trying to get the prettiest moment of a life in his camera.
I was attracted to photography because it was technical, full of gadgets, and I was obsessed with science. But at some point around fifteen or sixteen, I had a sense that photography could provide a bridge from the world of science to the world of art, or image. Photography was a means of crossing into a new place I didn't know.
I think everybody can identify, you know, with this sort of struggle to decide for yourself who you are, you know, and what your place in life is.
I mean I don't want to feel inferior to any other golfer in the world. You know if you do that, then you know you're giving them an advantage, you know, right off the - you know, right from the start.
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