A Quote by Grant Imahara
When you think about exploring deep space, it's very dangerous for humans. To potentially sacrifice human life is a delicate proposition. On the flip side, if you want to send a robot to another planet for an extended period of time and at some point you know it'll cease to function, it's not considered a tragedy.
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My personal opinion, Suni Williams - I think that when we really leave the planet - we all go as humans, not as people from one country or another. We are humans; we work together. This is our only planet as human beings that we know of. So we all should have an interest in preserving it.
In some ways, I believe that we are moving into a post-historical period, for lack of a better term. A time when whatever functioned previously will cease to function, or at least will have to be re-thought and re-considered.
I often reflect on what an extraordinary time (pun intended) it is to be alive here in the beginning of the twenty-first century. It took life billions of years to get to this point. It took humans thousands of years to piece together a meaningful understanding of our cosmos, our planet and ourselves. Think how fortunate we are to know this much. But think also of all that's yet to be discovered. Here's hoping the deep answers to the deep questions-from the nature of consciousness to the origin of life-will be found in not too much more time.
Perhaps I am a man of exceptional moods. I do not know how far my experience is common. At times I suffer from the strangest sense of detachment from myself and the world about me; I seem to watch it all from the outside, from somewhere inconceivably remote, out of time, out of space, out of the stress and tragedy of it all. This feeling was very strong upon me that night. Here was another side to my dream.
We shall not cease from exploring,
And the end of our exploring
Will be to arrive where we started
And know the place for the first time.
Tragedy massages the human ego even as comedy deflates it. ... Tragedy pits us against large foes and the trip wire is our own character. ... In comedy we fall afoul of one another. Comedy depends on social life, on our behavior in groups. In tragedy you can observe one human against the gods. In comedy it's one human versus other humans and often one man (or woman if I'm writing it) against her own worst impulses.
Good design is not about form following function. It is function with cultural content. By adding "cultural content" to the concept of "form follows function," objects cease to be finite or predictable. Maybe the right way to interpret the dictum is to first acknowledge that the function needs to be clearly understood before the form is considered.
You know what I did this morning? I played the voice of a toy. Some terrible robot toys from Japan that changed from one thing to another. The Japanese have funded a full-length animated cartoon about the doings of these toys, which is all bad outer-space stuff. I play a planet. I menace somebody called Something-or-other. Then I'm destroyed. My plan to destroy Whoever-it-is is thwarted and I tear myself apart on the screen.
I think there's a deep impulse in most humans to do creative stuff, whether that's music or art, photography or writing. Most people at some point in their life say they want to do something creative - they want to be an actor, a director, a writer, a poet, a painter or whatever.
What you aren't ready for being the first time in space - on an emotional and intellectual level - is how looking down at Earth will profoundly affect you. Over the long term, it has changed the way I think about planet Earth. When you go around the planet and look down, you think about the fact that this is the cradle of humanity, that this is a place where seven billion people, 200 countries, live side by side, that we share this place and there's nowhere else to go.
The very function of creativity, of the elaboration of the human condition only enlarges the human spirit and, I mean, as a writer I don't want to read political literature all the time. It would be terribly boring and, you know, abrasive, but just reading the insights, you know, partaking of the insights of a writer into phenomena, into society, into human relationships, both on a micro level and on a macro level, is already a function.
The future is about wings and wheels and new forms of space transportation, along with our deep-space ambition to set foot on another world in our solar system: Mars. I firmly believe we will establish permanence on that planet. And in reaching for that goal, we can cultivate commercial development of the moon, the asteroid belt, the Red Planet itself and beyond.
The Great Work now, as we move into a new millennium, is to carry out the transition from a period of human devastation of the Earth to a period when humans would be present to the planet in a mutually beneficial manner.
I believe, I truly believe, that humans will be living off of this planet, at some point in the future. It's inevitable for us, and it seems like a reasonable and realistic progression for us as a human race. We won't last on this planet - not forever.
I can do comedy, so people want me to do that, but the other side of comedy is depression. Deep, deep depression is the flip side of comedy. Casting agents don't realize it but in order to be funny you have to have that other side.
At the 150-minute point of sitting in a standard theater chair, the human buttocks die; once dead, they cannot be revived. They cease to function, whatever that function may have been, and must be carried around like a sack, or two, of flour.
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