A Quote by Greg Davies

I got to the stage where I physically couldn't carry on unless I gave comedy a go: it was necessity. — © Greg Davies
I got to the stage where I physically couldn't carry on unless I gave comedy a go: it was necessity.
I read somewhere that when I go on stage, people realize that they're not me and they feel better. When I walk off the stage, people know who I really am. I'm not saying it's great comedy, cool comedy or better comedy - but that's what I do, and I do it first for myself.
If you're an actor, a real actor, you've got to be on the stage. But you mustn't go on the stage unless it's absolutely the only thing you can do.
Freedom is completely without meaning unless it is related to necessity, unless it represents victory over necessity.
I learned as my dad's kid that unless you physically can't get there, unless you physically can't do it, you need to show up for work.
Well, unless you've suffered from panic attacks and social anxiety disorders, which is what I was diagnosed as having, it's hard to explain it. But you go on stage knowing you're actually physically going to die. You will keel over and die.
My first time on stage was the class "graduation" at the Comedy Store. It was awesome. Everything got huge laughs and I just thought I knew how to do comedy.
I went down to Chicago to try to go into a place called Second City. I auditioned for that and got in pretty quickly, but I couldn't stop partying. They gave me a warning: 'If you do it again, we're gonna kick you off the main stage.'
The timing of comedy is so difficult. You've got to leave room for a laugh, you don't want to kill the laugh, but on film, you can't just suddenly stop for a laugh and then carry on. So, I think it's a real art form, comedy on film.
January 14, 2000, was my first time on stage, and I've been hooked ever since. I got discovered nationally in Seattle by the now-defunct HBO Comedy Festival, and that led to an appearance on 'Jimmy Kimmel Live' and a path to a professional comedy career.
As a youth player, I played for England and got used to it, and I have just to carry it on to the bigger stage.
I have done comedy on stage so when I got the chance to do it in cinema, I was extremely thrilled.
I didn't want to perform comedy. I always loved humor. Loved making people laugh. I was a big stand up fan, but it wasn't until I was managing a restaurant that had a comedy night and one of the producers asked me to go on stage that I wanted to do it.
The lips on my upper right bicep are my girlfriend's lips. She has the most amazing lips, and I wanted to carry them around with me everywhere I go, considering I can't carry her lips physically with me. So I decided to place them in a discreet location, such as the inside part of my bicep.
I started in comedy when I first started as an actor on stage and doing improvisational theater and stuff like that. So a lot of people who know me know that sort of side of me. But I got the roles that I got as an young actor kind of steered me in a different direction, which were, at times, darker characters. And so comedy was not something that came easy for people to think of my in those terms.
The first time I ever got up on a stage, I did a comedy poem. I don't know how I got there in the first place because I was very, very shy.
As an ex-stand up, I can tell you that a comedy club isn't a place you go looking to get the abuse you just can't seem to find in daily life. The stage is a performer's domain. You protect that domain. You are not on stage to take what's given just 'cause you're getting paid. If you are attacked, you retaliate.
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