A Quote by Greg van Eekhout
Back in 1982, when there were still only a manageable number of 'X-Men' titles on the racks (by which I mean just one), Marvel quite reasonably figured the world could stand another team of beleaguered mutant superheroes. And so were born 'The New Mutants,' junior X-Men whose powers had just begun to manifest at the onset of puberty.
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I performed after 9/11 for relief workers down by Ground Zero. There were these men just coming back, and they were voraciously hungry. They were heroes, pulling rubble, and I was a new comic trying to go blue just so I could get some laughs.
As a child, I had a deck of Marvel top trumps. You can get top trumps with racing cars, or fighter planes, or football players... I had all of the Marvel superheroes and super-villains you could get, and I used to play them with my friends. They were all listed according to their height and weight and agility and their super-powers.
...the men of the Ulysses had no need to stand in shame...many had found, or were finding, that the point of no return was not necessarily the edge of the precipice: it could be the bottom of the valley, the beginning of the long climb up the far slope, and when a man had once begun that climb he never looked back to that other side.
Matt's [Nix] is much more a part of just the world in terms of there are mutants, mutants are hated and there are Sentinels - though very different from what we've seen before. You feel like you're here in the X-Men world.
During the long ages of class rule, which are just beginning to cease, only one form of sovereignty has been assigned to all men--that, namely, over all women. Upon these feeble and inferior companions all men were permitted to avenge the indignities they suffered from so many men to whom they were forced to submit.
One of the things I love best about Marvel is the 'What If?' factor; being able to just say, 'Today we're going to explore a world where Magneto and Emma never gave back the X-Men. Or a world where Mary Jane shares Peter's powers.' So being able to do that is just super exciting.
In the Depression, besides everybody being poor, our entertainment was much more primitive and innocent. The comic strip, which I so venerated, was still a very new form. Movies had just become talkies. Radio had just gone coast to coast for the first time. Network radio had just begun when I was a kid. So all of these forms were more or less in their infancy, and feeling their oats. Comics were fresh and funny and nervy, and in a sense, defiant of the prevailing culture.
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
I think when I first went to Man City, they weren't very professional. They were just starting out, and the men's team had just invested a lot into women's team.
All the people of all the nations which had fought in the First World War were silent during the eleventh minute of the eleventh hour of Armistice Day, which was the eleventh day of the eleventh month. It was during that minute in nineteen hundred and eighteen, that millions upon millions of human beings stopped butchering one another. I have talked to old men who were on battlefields during that minute. They have told me in one way or another that the sudden silence was the Voice of God. So we still have among us some men who can remember when God spoke clearly to mankind.
Along this road, we won't stop moving forward Not even if we become separated from one another. For us, most of all, there was never a time, never a place where you could just stand still But even so, if there were times when we were afraid, when we'd look back on it all and wonder We'd just say that is was our destiny, wouldn't we? So we started off, all walking down the same road
There are a lot of writers who just want to do their own thing and avoid the rest of the Marvel Universe. But for me that was one of the things I loved about Marvel: that shared universe. So of course you would run into a mutant in Manhattan. You would run into another hero in Manhattan. For me, I figured why not? Why not have that fun?
There were some things that only time could cure. Evil men could be destroyed, but nothing could be done with good men who were deluded.
We had this party in New York, and there were a lot of gay men there dressed up as the characters. I showed up just looking like myself, but it was a real case of shame. They looked so fantastic. We could never quite live up to it.
If you don't know, 'The New Mutants' is like an 'X-Men' spin-off. It was a comic book; Bill Sienkiewicz did it and it was an 'X-Men' comic. It's basically like a separate bunch of mutants.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
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