A Quote by Gregg Allman
I could not see myself going back into the studio without Tommy Dowd, our beloved producer who passed away in 2002. Then in 2009, Michael Lehman, my manager, really pushed me to meet with T Bone Burnett. I ended up meeting with T Bone in Memphis, and we hit it off right away; I knew he was a guy I could work with.
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My dad pushed me really hard as a kid because he understood that I could be great. He saw the drive that I possessed, and the talent, and he didn't want to see it go to waste. So he pushed me. When he passed away, I had to push myself. And I wasn't going to be denied.
A people do not throw their geniuses away. And if they are thrown away, it is our duty as artists and as witnesses for the future to collect them again for the sake of our children and, if necessary, bone by bone.
Two hundred miles from the surface of the earth there is no gravity. The laws of motion are suspended. You could turn somersaults slowly slowly, weight into weightlessness, nowhere to fall. As you lay on your back paddling in space you might notice your feet had fled your head. You are stretching slowly slowly, getting longer, your joints are slipping away from their usual places. There is no connection between your shoulder and your arm. You will break up bone by bone, fractured from who you are, drifting away now, the centre cannot hold.
As a kid, I hated home, and I just wanted so much to learn or do something that could take me away and keep me away forever. And then I got blessed to get to make music and meet people who wanted to work with me. And then, the next thing I knew, I was on the road, and I was gone.
That's one of the reason T-Bone Burnett calls me... he thinks I'm used to doing what I do in the studio for him.
A depressed person is often a person who will push others away. If you are pushed away and pushed away and pushed away, you have to have an enormous amount of inner resources to keep going back.
We are a people. A people do not throw their geniuses away. If they do, it is our duty as witnesses for the future to collect them again for the sake of our children. If necessary, bone by bone.
Some friends and I, we went right up there behind the studio and we got on a train, we could tell it was going to go to Roseville. We got off it and got on another train. And we got to Roseville, and it takes hours to get through that yard. It's really big. So we ended up just coming back here. It's like fishing or hunting. You can't always come back with something.
They had to re-shape the head of my femur back round. They had to trim my hip socket up a little bit. I had a lot of extra bone growth just from years of stressing it out. Because of that bone growth, it caused an impingement in my hip, which tore my labrum off the bone.
Leo Durocher was our manager and he brought Willie up to me and said, 'This is Willie Mays and he's your new roommate.' You could see right away that this young man was a natural. He had those real big hands, great power and speed and would catch everything hit in his direction. He's the best center fielder that ever lived, no question.
He shrugged, looking right into my eyes. "Right now, this is all I feel." He held our intertwined hands up for me to see and I wanted to look away, but I couldn't break the hold his gaze had on me, like he could see more than anyone else saw. Things I couldn't see myself.
I almost chopped my thumb off once. Just before I left home, I was about ten or eleven years old, and I was trying to open a bone. Can you imagine that? A bone! I was trying to get the marrow out of a bone, and I took the ax, and I went to chop it, and something slipped, and the ax went right down there and damn near cut it off.
Soul Alone by Hannah Baker I meet your eyes you don't even see me You hardly respond when I whisper hello Could be my soul mate two kindred spirits Maybe we're not I guess we'll never know My own mother you carried me in you Now you see nothing but what I wear People ask you how I'm doing You smile and nod don't let it end there Put me underneath God's sky and know me don't just see me with your eyes Take away this mask of flesh and bone and See me for my soul alone
I still skate occasionally but last time I did, at our show in Hanford, I did a 360 frontside varial over our rolled-up banner and broke every damn bone in my body. Ok, I only broke one bone. Well, I didn't break any bones, but I could have!
Catch-and-release, that's like running down pedestrians in your car and then, when they get up and limp away, saying -- 'Off you go! That's fine. I just wanted to see if I could hit you.'
Right before my eyes, I could see my life going away from me and there was nothing I could do.
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