A Quote by Gregg Easterbrook

For what I wrote that started this whole controversy, I deserved to be criticized, and I felt bad about writing it. I felt bad mainly as a writer and a thinker. — © Gregg Easterbrook
For what I wrote that started this whole controversy, I deserved to be criticized, and I felt bad about writing it. I felt bad mainly as a writer and a thinker.
I was just a very emotional player. I wore my emotions on my sleeve. I pretty much told you how I felt. I didn't mince words, so to speak. If I felt bad, I let you know that I felt bad. If I felt you were playing sorry, I told you. If I was playing sorry, I told myself that. I came from an era when losing really hurt. I didn't see anything good about it.
I felt like I had a really bad case of writer's block... Music is so therapeutic for me that if I can't get it out, I start feeling bad about myself - a lot of self-loathing.
I started writing novels by not thinking about actually writing a whole novel - that felt altogether too daunting. I thought out a rough idea, then wrote chapter by chapter, and then by the time I'd hit 40,000 words, it was a challenge just to see if I could get to the end.
For a moment he felt good about this. A moment or two later he felt bad about feeling good about it. Then he felt good about feeling bad about feeling good about it and satisfied, drove on into the night.
I felt bad about the controversy because they stopped playing my songs on American radio stations. But there was nothing wrong with what I did. Now everybody sings the national anthem the way they want.
One wouldn't want to say that what makes a good writer is the number of books that the writer wrote because you could write a whole number of bad books. Books that don't work, mediocre books, or there's a whole bunch of people in the pulp tradition who have done that. They just wrote... and actually they didn't write a whole bunch of books, they just wrote one book many times.
A writer's life is so hazardous that anything he does is bad for him. Anything that happens to him is bad: failure's bad, success is bad; impoverishment is bad, money is very, very bad. Nothing good can happen... Except the act of writing.
I kept writing not because I felt I was so good, but because I felt they were so bad, including Shakespeare, all those. The stilted formalism, like chewing cardboard.
And I felt sorry, and I have felt bad about what happened.
The thing I liked about writing about food when I started it was that I felt I was writing about food in a different way. Not like a food writer.
I know some of you are Thinking maybe I deserved it. But before you start pointing Fringers, let me ask you Is what I did really so bad? So bad I deserved to die? So bad I deserved to die like that? Is what I did really much worse Then what anybody else does? Is it really so much worse Than what you do?
Initially I started writing because I felt like I didn't fit in. I just moved to a new school and I felt quite lonely. I think that's where it all started for me.
I often tell people to stop being afraid of writing bad poetry, or bad anything. I think that a lot of times, when people claim that they have writer's block, or that they get stuck, it's just because they're scared of writing bad things.
What it felt to me was like the dissolution of my idea of myself. I felt like separateness evaporated. I felt this tremendous sense of oneness. I'm quite an erratic thinker, quite an adrenalized person, but through meditation, I found this beautiful serenity and selfless connection. My tendency towards selfishness, I felt that kind of exposed as a superficial and pointless perspective to have. I felt very relaxed, a sense of oneness. I felt love.
Writers are funny about reviews: when they get a good one they ignore it-- but when they get a bad review they never forget it. Every writer I know is the same way: you get a hundred good reviews, and one bad, andyou remember only the bad. For years, you go on and fantasize about the reviewer who didn't like your book; you imagine him as a jerk, a wife-beater, a real ogre. And, in the meantime, the reviewer has forgotten all about the whole thing. But, twenty years later, the writer still remembers that one bad review.
I was doing a children's book on self-esteem, and I really felt like I wanted to shed the shame I'd been feeling - and maybe make it easier for women my age who had probably felt bad about themselves.
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