A Quote by Gregory Heisler

I never do pictures that I've done before - but I really try not to. Whenever I get an assignment I try to think how to shoot this person for this story in this magazine at this point in time.
Making photos is helpful of course to master the craft. To get comfortable with the camera. Learn what a camera can do and how to use the camera successfully. Doing exercises for example if you try to find out things that the camera can do that the eye cannot do. So that you have a tool that will do what you need to be done. But then once you have mastered the craft the most important thing is to determine why you want to shoot pictures and what you want to shoot pictures of. That's where the thematic issue comes to life.
You never know what's actually going on in a person's life. You don't know what happened to them before you met them...and that's why they are the way they are. But I do think about it whenever I get in contact with my fans. I know this may be the only time they'll ever meet me. I try to take advantage of that moment and be kind and grateful.
I'm constantly trying to figure out how to crack that mystery; how to make a novel that has a sense of immediacy of a short story. I try to do that and I'll try it again, but I'll never get it.
I think you have to have a real point of view that's your own. You have to tell it your way. And, I think that it's a mistake to shoot for a specific magazine's point of view because it's never going to be as good. You have to shoot for yourself and photograph [ the way] you believe it.
The best pictures are always those one dreams of when one is smoking a pipe in bed, but which never get done. But still one ought to try, however incompetent one may feel before the unspeakable perfection and radiant splendour of nature.
I don't put pictures of my children on, rarely, I think I've done it twice? I'm thoughtful about that, because I don't think you can get it back, and I don't think it's fair to people to try to convey a desire to maintain some privacy and then share pictures and expect that somebody else won't want the same ability.
I never think about a shoot before I do it. Because there's no formula for people. What I try to do is to strip everything away rather than go in with preconceived notions. If I do that, I might miss a gem or a jewel that the person is offering me.
I would absolutely, definitely never sell my wedding pictures to a magazine. I'd like it to be a special day, not a photo shoot. And once you've done that, your marriage becomes everybody else's business.
We try never to have pictures of our children in the magazines, because there are strange people out there. But the paparazzi try to steal pictures.
Even when I do commercials, I try to tell a story about the product. With music, I try to tell the story of the person's struggle for success. And I believe every word I say. I never read anything on the air I don't believe in. I think people sense that about me, and they respond to it.
I try mainly to just focus on character and what my character's point of view is, with each person, and try to figure out story.
I try to do the story the way I feel the story should be done, and how that folds into whatever larger sorts of categories or questions is really none of my business.
I try and keep my pictures as natural as possible and try not to use too many filters, because now, it is such a world of making everything look so perfect, that in fact, it is the imperfections in people that are really unique and special. So, I try and get that across to people.
Oh, and one more thing: If I try something that I've never done before, something that's particularly difficult for me, and it doesn't work out, that doesn't make it a failure. The fact that I actually succeeded in finishing it makes it a huge success. Think of all the people who never even try.
Well, we try to - we definitely try to have a balance. And I think things have gotten a lot better at Pixar. When we did "Toy Story," that was an all hands on deck situation that really was time intensive.
Honestly, I think the key () has been, treat every assignment as if it’s your first one, you know? I think there is a misconception, especially that students have and I really make a point when I speak at schools to talk about the fact that you never really arrive. You are always working towards something but you never stop. I think there is this crazy idea that you get somewhere and then everything is cool.
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