What's the message in Metallica? There is no message, but if there was a message, it really should be look within yourself, don't listen to me, don't listen to James, don't listen to anybody, look within yourself for the answers.
Pain - physical, emotional and spiritual pain - is more than just a condition that needs to be silenced, numbed or "fixed." Pain in all its forms is also a message, a kind of distress signal to our hearts and minds. There are times when it's really important to tune into that message and just listen to it. When we don't listen, our understanding of the world gets more and more distorted, and we become capable of doing things we very often regret.
People don't really care about lyrics anymore. It's kinda really sad, like they'll listen to something musically and has a really cool beat down or something, that's great, that's good enough; but the message is the most important thing.
Sometimes you have to listen to a CD over and over before you really get it, but as soon as I heard the first note of R&B artist Chrisette Michele's debut CD, I was blown away. Her voice is playful but pretty, light but strong - the woman's got soul.
There is a tendency for writers to be most exciting by whatever they just wrote. Sometimes that excitement is warranted. Sometimes on further listen it's not as good as something they did a couple of years ago, but it's just not in their sights at that particular time.
There is something about important stories that is not just the message, but also the way that message is conveyed, the arrangement of the words, the felicity of the language. So it's really a balance between your commitment, whether it's political or economic or whatever, and your craft as an artist.
Nowadays, if you're a great artist, you don't have to leave the house, which is a really big difference. You're closer to the artist. And the artist can be closer to their artistry without having to always worry about branding themselves or building something image-wise.
We think of communication as words. But a screaming child is trying to say something. A tantrum carries a message. Hitting is communication. Sleep patterns carry a message. Even the sulky belligerence of a teen is an attempt to convey a message. Everything the child does says something to the person who is willing to take the time to listen carefully.
Sometimes you hate your music, sometimes you don't. Sometimes I listen to the record and it's really hard for me, and other times I listen to it and I give myself a pat on the back.
Sometimes my work needs to be photographic, sometimes it needs words, sometimes it needs to have a relationship to music, sometimes it needs to have all three and become a video projection.
Having a very serious thematic element in the lyrics and then juxtaposing with something really triumphant and just a big beat to dance to is a nice contrast to having a dark message.
Sometimes, I think, in order to get to something that we really want or we really love or something that needs to be realized, that we're tested.
Our democracy is not a product but a continual process. It is preserved not by monuments but deeds. Sometimes it needs refining; sometimes it needs amending; sometimes it needs defending. Always, it needs improving.
I feel that when I listen to music - not that it's bad - it's not emotional. It has a gimmick to it. It's selling something: the artist, the producer, something. The emotional capacity is very small, for the listener as well.
It is really not the wilderness that needs management (it has been doing quite well, after all, for a couple of billion years), but people.
I like Feist's music because it's really smart, but it's really free and soulful at the same time. Sometimes you only get one or the other.