A Quote by Gregory Stock
We're all going to eventually, even in the developed world, going to have to lose everything that we love. When you're beginning to rot a little bit, all of the videos crammed into your head, all of the extensions that extend your various powers, are going to being to seem a little secondary.
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Your name or what you've done on the rugby pitch is not going to carry you through for the rest of your life. I realise I'm going to have to eventually do something else, and that does frighten me a little bit.
I try to make everything I write a little bit different. Those songs that go, 'I love you so much and you love me,' they're boring. If I'm going to write a love song, it's going to be a little bit tortuous.
I know that people are going to recognize my voice as being different and they are going to be saying, 'Let me listen a little bit closer to see if she says something that I don't agree with.' They're probably going to pay a little bit more attention.
I've learned to be more reserved, watch what I'm saying; I got in a little bit of trouble. People tell me 'Never lose that, never lose that,' but then I get in trouble so I have to lose it. I'm trying to keep a little bit; I'm never going to lose who I am, I just gotta tone it down a little bit.
Fear is not a motivating factor. You might be able to get a little bit more out of someone in the short term, but you will completely erode your business and your culture in the long term. You're going to lose all your good people. You're not going to have people tell you the truth, and it becomes the tradition.
You do certain things in your twenties that are just not appropriate in your thirties and certainly not appropriate in your forties. Eventually you even the scales, and it's time to move on and become an adult and start working hard again and going to sleep a little bit earlier. Fortunately, I got a job to facilitate that transition.
Everybody gets plagued by indifference and monotony. The truth is, there are concepts that are constantly being repeated in this world, since the beginning of time, but it doesn't seem like any of us have mastered them. So my advice is to keep going with the topic, which usually has to do with redemption, love, compassion, freedom, injustice, perversion, divinity, the diabolical... keep going with your thoughts, and your heart, and push them through to transformation.
Being producer you're still going to have to sell somebody who's going to give you the money on the idea and everything like that. But it does give you a little bit more control if you're thinking in that creative process; it gives you more control to tell the story you want to tell rather than sort of just reading a script that somebody else wrote and says, "Yes, please, you can hire me for this job." So it's a little bit more hands-on, a little bit more closer to the heart.
There's going to be highs and there's going to be lows, try to keep your emotions out of it a little bit.
Would you rather have cheap, subsidized - illegally subsidized - goods dumped into the Wal-Mart and not have a job and not have your wages go up in 15 years, or would you like to pay a little bit more - not much - a little bit more, have a job, and have your wages going up? I think the American people are going to make that choice.
I woke up one day and wanted to change my look. And I was like, 'Okay, what are you going to do about it?' I said, 'I'm going lose 30 pounds, I'm going to get a little lipo, and I'm going to get a Monroe piercing, and I'm going to cut my hair. I'm going to get totally wild.'
I know you think that when you're 35, 45, 55, you'll be different. But I'm going to let you in on a bit of a secret. You're going to look different, and your life is going to be different, but in your head you'll always be that 16-year-old girl.
When your results are good, you are obviously going to have a lot of press. And when you start to falter a little bit, you are going to have some criticism, and there is nothing abnormal in that.
All you have to do is be a little bit specific, and all of a sudden, you have your own little niche and people are going to watch.
Songs like 'Everything To Help You Sleep' or 'Claws in Your Back' took a little bit more grappling with the actual poetry for me to feel comfortable with the song. And there's a little bit more song crafting going on, and I had a specific idea in mind of the imagery I wanted to evoke.
There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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