A Quote by Greig Fraser
Everyone knows that a movie is false. But if as filmmakers we give the audience too many reasons to lose the suspension of disbelief, I believe we're working our way down a hole.
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When it comes to acting, people talk about the suspension of disbelief that you ask of the audience. Before that starts, you have to, as an actor, suspend your own disbelief.
There should be a name for this, for the process whereby one knows one is being yanked and concedes it has been done successfully - that one is grateful to have been spun. In the theater, it is called the willing suspension of disbelief. That's what allows the play to make an impact on the audience: they have to be able to make believe that what's happening on the stage is really happening. Maybe to a degree it is a requirement for all political participation, all effective political communication, too.
For a found-footage-style movie, there's a definite advantage in using unknowns, because it helps sell the illusion that it's real. A known actor would get in the way of the suspension of disbelief.
Suspension of disbelief and that whole question is part of the heart of the 'Leaves of Grass'movie.
That's the thing about leaks: sometimes they aren't misinterpreted or false. They're real story elements that the filmmakers were hoping to introduce to the audience in a darkened movie theater.
The rules themselves are clear enough, and within everyone’s reach. But many forces, both within ourselves and in the environment, stand in the way. It is a little like trying to lose weight: everyone knows what it takes, everyone wants to do it, yet it is next to impossible for so many.
I definitely prefer the single camera better. For me it's the simple fact that I enjoy working in front of an audience, but when you're trying to create a suspension of disbelief it's much harder to do in front of audience because they become a partner. Moreso than that, they become in charge of the timing. From the simple, mechanical fact that you have to hold for their laughter. The actual timing of the scene is in the hands of the audience. As a control freak, I don't enjoy that as much as the ability to be able to control it in an edit room.
I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.
My personal success would be that people understand what I was trying to do. It was the most palatable when I watchmen_7_mdid Dawn. With Watchmen, too, I feel the same way. The movie's ironic and satirical and it's funny and serious and that's kind of the same way I felt about Dawn. Like I really was making a movie that knows it's a zombie movie and enjoys that and wants the audience to say, yeah, that's okay.
Musicals are, by nature, theatrical, meaning poetic, meaning having to move the audience's imagination and create a suspension of disbelief, by which I mean there's no fourth wall.
Every little thing that people know about you as a person impedes your ability to achieve that kind of terrific suspension of disbelief that happens when an audience goes with an actor and character he's playing.
We do not respect people's beliefs, we evaluate their reasons. If my reasons are good enough for believing what I believe, you will helplessly believe what I believe. I will give you my reasons and reasons are contagious. That is what it is to be a rational human being.
It's a delightful thing to do, to entertain kids. They're a completely different audience because of their total lack of irony. You're always after a total suspension of disbelief, but the only people you can really achieve it with is children.
Believe me, nothing is so calculated to lose you audience sympathy as too many tears. Move your listeners all you can but let them do the crying.
We also want to invest in the next generation of filmmakers. There have been hundreds of these filmmakers that have called us saying "Can we intern with you? Can we mentor under you?" And we want an opportunity to do that, as well. So, for those two reasons, we talked with our pastor and he gave us his blessing to kind of launch out and grow the movie ministry that we have.
Due to many cosmic and worldly reasons, we will surely lose our planet one day! Till that dark day comes, let us give our profound affection to our beloved earth!
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