A Quote by Greil Marcus

There's never been a Van Morrison album that I haven't immediately listened to, whether with delight or crushing disappointment. — © Greil Marcus
There's never been a Van Morrison album that I haven't immediately listened to, whether with delight or crushing disappointment.
I don't know much about contemporary music. I do have an iPod but I listen to a lot of old blues. I listen to John Lee Hooker and Elmore James. I have been listening to them for years. I was obsessed with Van Morrison for years. I went to see him recently where he performed Astral Weeks. I just spent the entire night crying, but I was really obsessed with Van Morrison.
Van Morrison is probably, at this point in time, my biggest influence as a vocalist. When we were making our last album I had a vinyl copy of 'Veedon Fleece' in the vocal booth in front of me, in the dorky sense. I think there were candles around, which is really tacky, but hey, I needed to channel Van the Man!
The only album that I listen to upon recording a new one is my 'Cry' album, because sonically, I think it's my best album to date. But other than that, I've never listened to my records, ever.
When I left Van Halen, I went in the studio and made a CD called Marching to Mars with all studio musicians. I did it immediately. With the disappointment riding on my shoulders of the breakup of the band.
Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog.
All my life, I never gave up on music and though there was a lot of disappointment for some that the commercial thing never happened, it has never been a disappointment for me.
I was listening to punk rock in the '70s as a young kid, but all by myself; I never met anyone that listened to that kind of music. Just by chance, I was in detention, and one of the guys in the class was Van Conner... I started talking to him and found out that we listened to some of the same music.
It's either, like, 'Your album was the first jazz album I listened to,' or, like, 'My friend took me to this show, and I've never been to a jazz show before, but, man, I'm so happy I came. I can't wait to go home and see more.' And you can feel it in the crowd, too. You can see the groups of people that don't really know what to expect.
A really humbling experience that we've had was touring on Post-Nothing, was having people come up to us and tell that story about Post-Nothing. Especially as the tour went on, people saying, "I listened to your album when it first came out and I listened to it every day for the summer of 2009. That was my album for that summer; that was my album for this time in my life." When somebody tells you that, it's a pretty amazing feeling, and very humbling.
Van Morrison remains a singer who can be compared to no other in the history of modern popular music.
Van Halen was a huge influence on me, and 'Eruption' was the song that really leaped off that first Van Halen album.
Just recently I worked with Van Morrison and I came to realize that money can't make a decent human being out of you.
The first time I really listened to an album and thought, This album is mine, was Kanyes Late Registration.
The first time I really listened to an album and thought, 'This album is mine,' was Kanye's 'Late Registration.'
'NME' and 'Melody Maker' were saying I was the next Lou Reed or Van Morrison. So, everyone has their own version as to when the height of my career was.
A scheme of which every part promises delight, can never be successful; and general disappointment is only warded off by the defence of some little peculiar vexation.
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