A Quote by Gulzar
If you notice in my own films the blending of songs is distinct. They narrate stories and scenes.
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All films created by Walt Disney at the time of his major outpouring of work were carefully crafted to fit scenes, characters, moods and situations. If these elements changed in any way, songs - no matter how good they were - were discarded. Others were written for the new scenes. Many times, character songs were dropped because characters were dropped...sequences were dropped etc.
Nothing requires so little mental effort as to narrate or follow a story. Hence everybody tells stories and the readers of stories outnumber all others.
As far as behind the scenes, I absolutely want to get into making my own films and producing my own things.
It is totally different making films in the East than in the West. In the East, I make my own Jackie Chan films, and it's like my family. Sometimes I pick up the camera because I choreograph all the fighting scenes, even when I'm not fighting. I don't have my own chair. I just sit on the set with everybody.
Down South, I have predominantly acted in typical candy-floss films, where I have played cheerful college-girl roles with songs and romantic scenes.
I'd get into a room and disappear into the woodwork. Now the rooms are so crowded with reporters getting behind-the-scenes stories that nobody can get behind-the-scenes stories.
Women should be able to come out and narrate stories from their point of view.
I find that most of my scripts have a lot more scenes than most films, so the average movie might have 100 scenes, my average script has 300 scenes.
If there's one thing that can save the novel, it is to make it independent of cinema, to narrate in a way that cinema can never narrate, using to its benefit those particular characteristics which belong to writing.
One day, I read an extremely vague ad looking for someone interested in working in film. Seeing as I loved watching films, I replied, and I found myself working for this guy who did his own personal editing of scenes from Antonioni and Fellini films.
As a film enthusiast and a lover of stories, I have read biblical stories and I've seen biblical films with the same zeal as I have read and seen my own country's stories. Most of the time, the creator doesn't know where he gets his inspiration from.
You have the hilarity and the great production. These films are distinctive because they are not just topical, they tell good stories and they let scenes play out physically. Apart from the dialogue, the characters also have a non-verbal existence, for example with Scrat.
I never think in terms of alienation; it's the others who do. Alienation means one thing to Hegel, another to Marx and yet another to Freud; so it is not possible to give a single definition, one that will exhaust the subject. It is a question bordering on philosophy, and I'm not a philosopher nor a sociologist. My business is to tell stories, to narrate with images - nothing else. If I do make films about alienation - to use that word that is so ambiguous - they are about characters, not about me.
I just like blending all the genres together but blending them up in a good way. I try to be as free as I can with it.
You realize, no matter how great, books are not shows or movies; each operates on their own different rules. 'Game of Thrones' is no different. Being forced to come up with those scenes on short notice helped how we were viewing the show and forcing it to come into its own.
I notice a lot of younger artists have difficulty telling stories. They might have short stories where they express themselves well, but they don't really know how to tell stories with characters. That craft just passed them by.
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