A Quote by Gustavo Santaolalla
I have a very strong identity that connects me to Argentina and to Latin America, but at the same time, I have a deep connection to the music from the United States and music from Europe, too.
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Livin' la Vida Loca' is not Latin music. It does not represent Latin music what Jennifer Lopez put out. It's not Latin music. What Enrique Iglesias, it's not Latin music, no? It's Latin artists. There's a Latin artist doing it you could say.
And its very strange, but I think there is something very common - not only in Celtic music - but there is a factor or element in Celtic music that is similar in music that we find in Japan, the United States, Europe, and even China and other Asian countries.
And it's very strange, but I think there is something very common - not only in Celtic music - but there is a factor or element in Celtic music that is similar in music that we find in Japan, the United States, Europe, and even China and other Asian countries.
I am very attracted to the United States. Why? Well, as a little kid from Southern Italy, not from a wealthy family, it was always my dream to go to the Big Apple. I'm not one to listen to classical music. I am very much for what is American, but I also prefer the America of the ghetto. I love the Bronx. I love hip-hop and R&B. I love electro-Latino, Latin music, that whole realm.
I listen to a lot of religion-based music, culturally rich music. Ethnic and world music. Music from Latin America has been influencing me in particular.
To me, all music that is made under the umbrella of the United States of America is Americana music.
In Europe, you have very different situation than you do in the United States. In Europe, it's very segregated. And you have the diasporas in Belgium that I saw. And they're being radicalized because they're not assimilated with the culture. I don't think we have that same situation in the United States.
Argentina is a very interesting culture because unlike Europe and the US, they did not abandon rock and roll music, they did not turn their backs on it. It's an important part of their culture. So guitar music is an important part of their culture. So me being into rock music, I get respect working there, which wasn't happening in Europe or in the US.
As I spent tons of time with customers, not just in the United States, but in emerging markets, in Europe, in Latin America, top of mind for everybody is how do they drive growth for their business going forward.
The most important thing Paris gave me was a perspective on Latin America. It taught me the differences between Latin America and Europe and among the Latin American countries themselves through the Latins I met there.
Globalization and the neoliberal economic model have already been rejected in Latin America; it simply hasn't been a solution for our people. At the same time, Latin countries like Venezuela and Argentina are anti-imperialist and anti-globalization, and yet their economies are growing again.
In the United States, many people said you can't have folk music in the United States because you don't have any peasant class. But the funny thing was, there were literally thousands, tens of thousands, hundreds of thousands of people who loved old time fiddling, ballads, banjo tunes, blues played on the guitar, spirituals and gospel hymns. These songs and music didn't fit into any neat category of art music nor popular music nor jazz. So gradually they said well let's call it folk music.
The first time I started listening to Irish music, I had a very strong connection. Strangely enough, there's a great many Japanese melodies and vocal styles that sound very much like Hungarian music. You start seeing all these cross-references and comparative, independent musical cultures.
There's a longstanding myth about the United States that is still very prevalent in Europe [despite recent developments]. Historically the "America" of this myth is an incredible human adventure and an experiment in political democracy. But at the same time, or so we're told, it's the land of extremes where the worst can happen.
Fascism is a worldwide disease. Its greatest threat to the United States will come after the war, either via Latin America or within the United States itself.
I'd love to do some collabs or music with Latin artists and in Latin America - we're working on it! I just really love Latin America and the language, culture, foods, people, and it's a place I grew up visiting pretty often.
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