A Quote by Guy de Maupassant

Night was a very different matter. It was dense, thicker than the very walls, and it was empty, so black, so immense that within it you could brush against appalling things and feel roaming and prowling around a strange, mysterious horror.
There's a strange sort of quiet when you're dying. It's as if you're in a glass room, and the walls keep getting thicker and thicker.
9p.m. My flat. Feel very strange and empty. Is all very well thinking everything is going to be different when you come back but then it is all the same. Suppose I have to make it different. But what am I going to do with my life? I know. Will eat some cheese.
I was adopted my black Americans, I feel that I'm a 'Hybrid'. When I'm around Africans'I suddenly feel very black American. And when I'm around black Americans'I feel very North African. North Africa and black America are both the creators of Kola Boof.
My paintings are very strange - large and empty, like walls. Just the opposite of my writing, which is rich and juicy.
The walls of books around him, dense with the past, formed a kind of insulation against the present world of disasters.
I had this very strict rule when I began auditioning that I wasn't gonna do a thicker accent, because it was like, 'I can't tell if it's supposed to be funny because he talks funny.' And now I feel like there are certain characters that I could play that could involve doing a thicker accent, as long as it's specific to that character.
I'm very much against war; I'm very much against terrorism of any kind. I find terrorism to be one of the most appalling things that can exist in society.
My interior is very, very dense - Proustian-looking, sort of Henry James. The walls are covered in pictures, and I transformed the big drawing room into a library lined with books.
I was never conscious of filming except for when I was location scouting. In a way, that is the most important part of the entire process - and the most private. I'm so used to doing that alone. Unlike every other part, it's just me, alone, on location.It's very hard to describe what I'm looking for - something that feels both familiar and strange at the same time. It's not enough for it just to be strange or mysterious, it also has to feel very ordinary, very familiar, and very nondescript.
I'm a vagabond. I live out of one suitcase. I feel very comfortable in black. I feel very uncomfortable in anything else than black.
Oh, my dear, if you only knew how strange is the matter regarding which I am here, it is you who would laugh. I have learned not to think little of any one's belief, no matter how strange it may be. I have tried to keep an open mind, and it is not the ordinary things of life that could close it, but the strange things, the extraordinary things, the things that make one doubt if they be mad or sane.
And I feel like, as a black man within black culture, I know very well firsthand - as do my parents and my grandparents and great-grandparents - we're used to things not going our way.
Thirty spokes meet in the hub, but the empty space between them is the essence of the wheel. Pots are formed from clay, but the empty space within it is the essence of the pot. Walls with windows and doors form the house, but the empty space within it is the essence of the home.
If I'm on skates, I feel at home no matter what I'm doing. If they wanted me to sing and dance I think I could do it just becauseI was on skates. When I'm not on skates, though, I feel very strange.
The black experience for me has been very interesting. Some days, I wake up, and I feel really black. Some days, I'm like, 'This is me. I'm black. Black Lives Matter. Black pride. Look at my cocoa skin.' I just feel it's my being.
L.A. is, on one hand, very mysterious; it's very modern. It's a mysterious place - it's a haunting place - and everything in our culture around the world of entertainment leads back to Hollywood.
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