A Quote by Gwen Ifill
I spent my career trying to speak to the broadest possible audience whether it's in print or whether it's in television.
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I want to find a way to speak to the broadest audience possible.
Own what you are, and I mean whether that's art, or whether that's fashion, or whether that's music, or whether that's acting, or whether that's politics, or whether that's literature; it's own what you are, and grab it, and, you know, be as prolific as possible.
I spent, whether consciously or unconsciously, most of my career trying to be something other than William F. Buckley's son.
The thing is when you're... well-enough known, you get asked to speak places, and they don't really think about whether or not you're qualified. They just want somebody that will be a drawing card for the audience. So it's up to you to decide whether or not it's foolish to get up and speak to these people.
I think the most appealing characters for the audience are the ones that you never know whether to root for them or whether to hate them. That's what keeps people drawn to their television sets.
I ask that you offer to the political arena, and to the critical problems of our society which are decided therein, the benefit of the talents which society has helped to develop in you. I ask you to decide, as Goethe put it, whether you will be an anvilor a hammer. The question is whether you are to be a hammerwhether you are to give to the world in which you were reared and educated the broadest possible benefits of that education.
I know it's going to sound cliche, but we're all artists just trying to tell a story. Whether it's on television or whether it's in a theater, you just hope that people are moved.
When I write notes in my journal, I'm just trying to scribble down as much as possible. Later on, I decide whether to follow some of those first impressions or whether to abandon them.
Let us work toward greater cooperation with all Caribbean Countries, whether we speak English, Dutch, French or Spanish, whether we are independent or not, and whether we be island or continental territories.
I want to sing for the broadest possible audience.
I have argued flying saucers with lots of people. I was interested in possible. They do not appreciate that the problem is not to demonstrate whether it's possible or not but whether it's going on or not.
I'm trying to focus as much on the here and now as possible. To live my life in a way that the humans that I know here on the planet Earth feel like they've been treated with respect by me, whether they're people that I'm very close to or the audience who's watching my work.
Whether it is television or film, the character on the page has to speak to me.
Whether it's animated, whether it's live-action, whether it's Broadway, whether it's television, a musical is a musical is a musical. So, pretty much, you approach the songs in pretty much the same way.
We see films all the time, whether they have access to all kinds of intellectual property or artifacts, and the one thing that they don't get is story. So I think whether you're talking about a biopic or an action film or a science-fiction film that has all the CGI in the world, if you're not trying to connect with an audience, it doesn't really matter.
I believe that every single human being is entitled to the protection of our laws, whether they can vote or not. Whether they can speak or not. Whether they can hire a lawyer or not. Whether they have a birth certificate or not. And I think future generations will look back at this history of our country and call us barbarians for murdering millions of babies who we never gave them a chance to live.
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