A Quote by Gwendolyn Brooks
I tell poets that when a line just floats into your head, don't pay attention 'cause it probably has floated into somebody else's head.
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I truly feel like my job is to make the shows. That's what I'm paid to do. It's somebody else's job to market them, and it's somebody else's job to pay attention to the ratings, because if I paid attention to all that, my head would explode.
It's a real stumper to sit around and try to think in your own head, but when you go into somebody else's head that takes the foot off the breaks. You can think in someone else's head.
The only thing I would tell my younger self is, 'Don't pay a lot of money for head shots.' There's always some dude in Brooklyn that's like, 'Dude, this is gonna get you the job.' And he convinces you you've got to pay $700. You don't! Your head shot doesn't matter!
It's malarkey. When you tell people that the roof crushing in on your head is not the cause of injury, it's your head hitting the roof, it's laughable.
Even when there's not a joke or a hook, the first line has to be good and snapem to attention. Songs ain't novels. You don't have 30 pages to slowly wrap somebody in. They're more like short stories or poems. If the first line hasn't grabbed them, you won't get to the second line. Once you've developed an audience, you may have some luxury and trust, so you don't have to knock 'em over the head with line one.
I just pay attention to what's in my head. That's my number-one rule.
Right before I start the putter back, I think about making solid contact. This brings your attention to the back of the ball and helps keep your head still at impact, which is a must. Many amateurs take a peek down the line too soon, and that can cause all sorts of mis-hits.
I'm trying to cause people to be interested in the particulars of their lives because I think that's one thing literature can do for us. It can say to us: pay attention. Pay closer attention. Pay stricter attention to what you say to your son.
I've always liked playing with somebody else and collaborating, just to get out of my own head all the time. Everybody does, but artists especially, we torture ourselves. So it's good for me to immerse myself in somebody else's work.
If you just keep your head down, work, and put it on the bottom line, sooner or later that takes care of everything else.
A proper saute pan should cause serious head injury if brought down hard against someone else's skull. If you have any doubts about which will dent, the victim's head or your pan, then throw that pan right in the trash.
Pay attention to your friends; pay attention to that cousin that jumps up on the picnic table at the family reunion and goes a little too 'nutty,' you know what I mean? Pay attention to that aunt that's down in the basement that never comes upstairs. We have to pay attention to our friends, pay attention to your family, and offer a hand.
When you hear voices in your head that tell you to shoot the pope, do you do what they say? Same thing goes for customers and managers. They are the crazy voices in your head, and you need to set them right, not just blindly do what they ask for.
[...] every time he forces himself to think before acting, it's her voice in his head telling him to slow down. He wants to tell her, but she's always so busy in the medical jet—and you don't just go to somebody and say, "I'm a better person because you're in my head.
I think the business of writing a great deal of it is the business of paying attention to your characters, to the world they live in, to the story you have to tell, but just a kind of deep attention and out of that if you pay attention properly the story will tell you what it needs.
Stop a minute, right where you are. Relax your shoulders, shake your head and spine like a dog shaking off cold water. Tell that imperious voice in your head to be still.
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