A Quote by Hal Price

I do know one thing: I wish people were doing more dangerous musicals, more courageous musicals and not just falling into the trap of trying to figure out what the public wants, because you find out that the public very often wants what's good.
I'm afraid I'm still trying to find that balance. Especially now that everyone wants a piece of me. I find that I have to become more and more reclusive, and pick and choose when I am public and when I am private.
Musicals are very collaborative. Unless you find somebody who wants to do something with you and has equal commitment, it's not going to work.
I grew up in a time when the only musicals were animated musicals because nobody wanted to see people to break into song.
No film should try to follow a trend, and do what film people think the public wants. There's no such thing as knowing what the public wants.
There are no large-scale original musicals being made right now. They're all Broadway adaptations and jukebox musicals or catalog musicals, and they just don't interest me as much.
I've auditioned for musicals a lot, but I think my voice didn't really match what they were looking for. I went to school for musical theater for a year and dropped out. Legit musicals are not quite my forte.
I did a lot of musicals when I was young and finally went to drama school to try and get away from doing musicals... and of course the first thing that happened when I got out is I got offered a musical. And then when I got to the Royal Shakespeare Company, which was my next job, I ended up doing a bloody musical!
I think you should make more movies, more musicals. I think the public deserves that. I think this country deserves to be able to get out and foster that talent. Give them an opportunity to become stars. I think the whole idea is wonderful.
A man who first tried to guess 'what the public wants,' and then preached that as Christianity because the public wants it, would be a pretty mixture of fool and knave
I'm a person who's trying to live within divine law, to the best and it's very hard because it's self-discipline, because the more you realise, the more you've got to get yourself straight, so it's hard, you know. I'm trying and there are a lot of people who are trying, even people who are not conscious that they are doing it, but they are really doing things for the good, or just to be happy or whatever.
I was fortunate enough to work at the peak of the great golden age of musicals. And then for awhile, I think they were being advanced in different ways. Andrew Lloyd-Webber brought the rock beat to musicals; people tried different things. The joy of musicals is that there is no perfect recipe; it is what you throw into it.
I grew up doing musicals. I've done so many musicals in my life, I kind of got them out of my system. But, I certainly would be open to them. Rocky Horror Show is a big favorite of mine.
I know how to finance something. It's easier today because, as you're more successful, everybody wants to do deals with you. But even in the beginning, when I took Landry's public, I owned 100 percent of it. I never had investors or anything. I was just always able to find a way to do it.
The words of musicals were the moral codes that I lived by. I found meaning and messages in musicals that I didn't find in churches or school books and it really made me come alive in a way.
What does the public want? It wants a vested interest in its own energy provision - driving more efficient behaviour. It wants greater choice and responsibility at a local level. And it wants increased use of renewables to protect the environment.
I did a lot of musicals when I was younger. And then I went to Northwestern University, and I did more musicals. I went on to do more work in Chicago, and then while I was in college, I got flown out to Los Angeles to do a screen test for 'Back to the Future.' When I got to Los Angeles, I was like, 'Hmmm, this is different.'
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