A Quote by Hans-Ulrich Obrist
Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very open situation that goes beyond national boundaries; directors and curators move from one country to another, which has opened up the museum landscape.
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I noticed that the large windows between the paintings [in the Musee d'Art Moderne] interested me more than the art exhibited. From then on, painting as I had known it was finished for me.
No one in my family plays music. But since I was very little, I would go around the house singing and dancing. And when I was 8, my parents asked me to get up and sing something at a family meal. I had my eyes closed, singing - la la la la la - and when I opened them, the whole family was crying.
I've been an art collector since the Sixties, and I kept it very separate from my showbusiness career. I've had art shows since the early Nineties, a museum show that travelled to four countries. I've had three or four art books; it's just another way I have to tell stories.
For me, the idea of curating can be expanded. Curating science, curating art, music and theater and performance and not only bring those things into art but bring art into those areas.
Despite the hundreds of attempts, police terror and the concentration camps have proved to be more or less impossible subjects for the artist; since what happened in them was beyond the imagination, it was therefore also beyond art and all those human values on which art is traditionally based.
My education in the arts began at the Cleveland Museum of Art. As a Cleveland child, I visited the museum's halls and corridors, gallery spaces and shows, over and over. For me, the Cleveland Museum was a school of my very own - the place where my eyes opened, my tastes developed, my ideas about beauty and creativity grew.
Sometimes when you really try to be earnest, everything disappears. If you really try to make a romantic movie, the first thing that goes out the window is the romance or real passion. It suddenly becomes cute-ville or cozy-ville. It's another world other than life.
I've been called a spy of Israel since 1996, and since I made my documentary film in 2000 the FBI has investigated me as an agent of Iraq. The FBI has also opened up an investigation into my wife calling her a KGB spy.
If it gets to the Supreme Court, I'll have the directors of every museum in the country as expert testimony that my work is legitimate art.
Making art for me is not fun in the sense of la, la, la, la, but it's something that I find very absorbing and very satisfying.
I have no favorite museum, but it could be the National Gallery in London; it could be the Palais de Tokyo in Paris. Every city has a great museum.
I'd love to open a private museum in Paris, London, or New York, but I don't have the money. If I were Bill Gates or Paul Allen, the first thing I would do is build a museum.
When Things Fall Apart” and I quote “Life is a good teacher and a good friend. Things are always in transition, if we could only realize it. Nothing ever sums itself up in the way that we like to dream about. The off-center, in-between state is an ideal situation, a situation in which we don't get caught and we can open our hearts and minds beyond limit. It's a very tender, nonaggressive, open-ended state of affairs.
The brown toxic cloud strangling Los Angeles never lifts and grows thicker with every immigrant added. One can't help appreciate the streets of Paris will soon become the streets of LA. However, Paris' streets erupted while LA's shall sink into a Third World quagmire much like Bombay or Calcutta, India. When you import that much crime, illiteracy, multiple languages and disease-Americans pick up stakes and move away.
As time goes by, I'm increasingly impressed by how very special and timely it was that we got the degree of national commitment needed to put people on the Moon. For the first time, this nation was united in trying to develop an interplanetary capability. We've been trying to repeat that situation ever since.
As the young leaders of tomorrow, you have the passion and energy and commitment to make a difference. What I'd like to really urge you do is to have a global vision. Go beyond your country; go beyond your national boundaries
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