A Quote by Harmon Killebrew
How the hell can you play here?
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Always, when I do a play, there's got to be an equation of risks and potential failure. When you're working on a new play, it's like, 'How the hell do I do this, and do we have the time?' All of these huge questions engage, hopefully, the smartest part of me. And then when you're doing a revival, I went, 'Well, somebody's already solved it.'
A lot of people say, well how can a loving God send anyone to hell? First of all God doesn't send anyone to hell. If we go to hell, it's by our own choice. But when somebody says to me, how can a loving God allow anyone to go to hell, I'll turn around and say, "Well how can a holy, just, righteous God allow sin into His presence?"
If someone is constantly out of shape, late and don't remember plays, how the hell are you supposed to play?
In fact, I take the view that God, in his infinite wisdom, didn't bother to spring for two joints - heaven and hell. They're the same place, but heaven is when you get everything you want and you meet Mummy and Daddy and your best friends and you all have a hug and a kiss and play your harps. Hell is the same place - no fire and brimstone - but they just all pass by and don't see you. There's nothing, no recognition. You're waving, “It's me, your father,” but you're invisible. You're on a cloud, you've got your harp, but you can't play with nobody because they don't see you. That's hell.
When people use the word hell, what do they mean? They mean a place, an event, a situation absent of how God desires things to be. Famine, debt, oppression, loneliness, despair, death, slaughter--they are all hell on earth. Jesus' desire for his followers is that they live in such a way that they bring heaven to earth. What's disturbing is when people talk more about hell after this life than they do about Hell here and now. As a Christian, I want to do what I can to resist hell coming to earth.
It seems to me that most people are impressed with just three things: how fast you can play, how high you can play, and how loud you can play.
Every player, they should sit down and have a meeting. They should agree, 'this is how we play Nadal, this is how we play Federer, this is how we play Djokovic.' Then, all try to play them the same way. The right way. First you have to play the right way, then you need to play well.
Artistically I like to do short-term things. Like I do a lot of commercials, I have the Miller commercial out where I play the Devil in Hell, where Hell is frozen.
I learned to smile by going through hell. Now I know what hell is and you don't. I can't tell you how it is, cause you can't do it with words.
What you and I need to do is learn to forget our differences. When we come together, we don't come together as Baptists or Methodists. You don't catch hell 'cause you're a Baptist, and you don't catch hell 'cause you're a Methodist... You don't catch hell because you're a Democrat or a Republican. You don't catch hell because you're a Mason or an Elk. And you sure don't catch hell 'cause you're an American; 'cause if you was an American, you wouldn't catch no hell. You catch hell 'cause you're a Black man. You catch hell, all of us catch hell, for the same reason.
Your first six months in the Senate, you spend a lot of time wondering how the hell you got here. After that, you look around at your colleagues and wonder how the hell any of them got here.
To me, every play counts. To me, how I play in individuals, how I play in practice, that's how I'm going to play in the game.
I told our guys they must not have cable because Antoine Walker knows how to play, Derek Anderson can play, Shandon Anderson knows how to play, and Gary Payton knows how play.
I had the prosthetics on, and I went to my trailer, I looked in the mirror, and I smiled. And I was, like, "This is the character - everything she does is with a smile and a bit of glee and joy." And that's how I created Darla [from Buffy The Vampire Slayer]. Prior to that, I was, like, "I have no idea how to play this 400-year-old vampire from hell!".
I choose to ignore hell in my life. When I was a little kid I asked my Dad "Am I going to go to hell?" because I'd heard about hell. And he said, "Nothing you're gonna do will get you into hell." And so I got to ignore it.
I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that.
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