A Quote by Harold Brodkey

My protagonists are my mother's voice and the mind I had when I was thirteen. — © Harold Brodkey
My protagonists are my mother's voice and the mind I had when I was thirteen.
I know it was a gift from God. My father was a preacher and my mother worked in churches all her life. My father had a very deep bass sounding voice and my mother had an in-between soprano voice. Not great singers, but they had great tones to their voices. I think that had a lot to do with it. Also, I really believe my voice was a gift from God. I believe if you take care of it, He will help you take care of it.
When I was thirteen I basically asked my mother if it was possible for this to end, that I'd had enough of it. And I truly had had enough. And that was right about the time that we got a call for a movie interview.
I'm very objective about what I want to have happen to my protagonists and where that has to come from. On one hand, it does help me that I had a mother who might have taken the last dollar and bought a pack of cigarettes or something, but I also had a mother who exposed me to art, music, other religions, different foods. My mother was very adventurous in her own way, so she fed the part of me that was going to grow up to be a writer. But there's always, too, the opposite response that helps me to create.
Oh, God, Shannon. You're blowing my mind." Clint's morning voice was rich with passion. I wanted to correct him and explain that it wasn't his mind I was blowing, but my mother had taught me it was impolite to speak when one's mouth was full.
I come from probably many generations of singers because my grandmother had a really incredible voice and sang in church. And my mother had a gorgeous voice and was always singing around the house.
The Greeks were the first intellectualists. In a world where the irrational had played the chief role, they came forward as the protagonists of the mind.
I had my father's mind, but he had his mother's mind. Fortunately, his mother lived with us and so I early realized that intellectual abilities of the kind I shared with my father and grandmother were not sex-linked.
I get my voice from my mother's side of the family. My mother and my grandmother both had strong voices.
The battle was over. Our casualties were some thirteen thousand killed--thirteen thousand minds, memories, loves, sensations, worlds, universes--because the human mind is more a universe than the universe itself--and all for a few hundred yards of useless mud.
I would take songs that I'd loved as a child and redo them in my mind for the new voice I had, the low voice.
A mother is a mother from the moment her baby is first placed in her arms until eternity. It didn't matter if her child were three, thirteen, or thirty.
When there is a voice in a piece of music, we tend to focus on the voice. That is probably something from when we were babies and we depended on hearing our mother's voice.
My mother was an actress and my voice teacher, an incredible voice teacher. My biological father is an actor, and my stepfather, who raised me along with my mother, is a psychotherapist. I was always supported in creative ventures.
Where would David Copperfield be if Dickens had gone to writing classes? Probably about seventy minor characters short, is where. (Did you know that Dickens is estimated to have invented thirteen thousand characters? Thirteen thousand! The population of a small town!)
My mother had a great voice. Not like mine, not like my sister's, not like my son's - a high soprano voice, but like a bird. I mean, really beautiful.
Since the date, 1776, is placed on the bottom course of the pyramid [on the Great Seal], and since the number 13 has been so important in the history of the United States and in the symbols of the seal, it is not unreasonable to suppose that the thirteen courses of the pyramid may represent thirteen time-periods of thirteen years each.
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