A Quote by Harold Ramis

You probably can't name more than a handful of comedies that would qualify for Best Picture. I can think of a lot of comedy screenplays; Woody Allen has had numerous nominations for his screenplays. But most comedies are calculated. They tend to pander. They're not about anything important.
Most comedy is not very ambitious. You probably can't name more than a handful of comedies that would qualify for Best Picture.
Most comedies are calculated. They tend to pander. They're not about anything important.
I actually love Scorsese comedies. He's an underrated comedy director. I think his comedies are some of the best comedies ever made.
I think horror comedies tend to skew more comedy than horror, for the most part.
I'm proud of everything I've done. If it's comedy, it's 'cause I think it's funny. If it's a drama, it's impactful. I'm leaning towards dramas now because I wrapped a couple comedies in a row. I don't like watching myself, but it's easier on me when I don't have to carry a lot of the comedy. But I enjoy making comedies but dramas come more naturally.
My approach to making movies is different than other people, because I just write a lot of screenplays. I'm constantly writing screenplays.
The dark comedies tend to be in a non-releasable area. There can be romantic comedies. There can be dramas. But there's no 'dark comedy' inbox for the advertising.
I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.
When I do watch things, they tend to be a lot of comedies. I actually like some of the British comedy series. But, on the whole, I'm not a huge viewer of anything.
What's funny is that with my comedies I don't believe they're my best screenplays necessarily. They're just the ones that I wrote that I knew I could get financing, you know? I believe my other films could be better, but right now they're not being made. But they will eventually.
Actually, screenplays were much more detailed than what I did in the book In the book I had to invent a style for communicating what the sensation of looking at a film would be, whereas the screenplays I wrote in Paris were actual blueprints for how to do the film, with every gesture, every little movement noted in exhaustive detail.
I actually think I'm probably more interested in structure than most people who write screenplays, because I think about it.
I've always wanted to do non-comedies, I've always done dramas, comedies, music, and I always like to bop around and do different things. I'm looking for something a bit tougher, more muscle mass, something small, but the thing is, I get all the best comedy scripts, I don't get all the best drama scripts. So I'll just go with what's the best script.
Well, you just know, as a writer, I didn't really write one of the five best screenplays of the year. There were lots of brilliant screenplays; I was just one of the lucky ones who got nominated.
I'm going to be criticized by lots of "scholars," but I think Shakespeare's best comedy often appears in his tragedies, actually. Not necessarily in his comedies.
I like human comedies - or dramedies. More than anything, I'm interested in people just dealing with everyday things that are difficult, and there is more than enough comedy and drama in that.
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