A Quote by Harrison Barnes
I think how you dress says a lot about how you carry yourself.
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Women of all looks, shapes, sizes, everything, if they recognize how beautiful they are-because they all are-then they carry it that way. And you can see that. Confidence is reflected in how they walk and how they dress and how they speak and how they carry themselves. It's just amazing. And that can turn anybody's head pretty quick, especially mine.
If you feel good about yourself on the inside, that's gonna show to people. I don't think it's all about makeup and hair and how you dress. I think it's more of an inner thing and how you feel about yourself and that's ultimately what will shine through no matter what.
As you get a lot of exposure, a lot of people looking at you, you have to take it more so how you carry yourself, how people view you. You have to worry about your image.
I have always loved Reese Witherspoon and Amy Adams as role models - I read all their interviews and agree with the fundamentals of how they manage the limelight and also how they look and carry themselves. A huge part of beauty is how you carry yourself and how you deal with certain situations.
In real life, I always look at people and how they walk, or how they carry themselves. I think about the body a lot, in performance.
The biggest problem I had - and the biggest problem teenagers have - is not how they dress, how they look or how they act or talk. It's how they see themselves - their self-esteem. In the tenth grade, I realized I am who I am. I've got big ears and big feet. I can etiher sulk around or I can be happy with who I am. The minute I decided to be confident with who I was, all that other stuff stopped. It's all in the way you carry yourself.
I just dress how I wanna dress. Not to say that I don't care about how I dress or that I'm a slob or anything like that... I just don't have to worry about the outside opinions of what people are saying.
Certainly, we all have within us the potential to live in a hugely different way. And how happy you can make yourself, I think, a lot depends on how much you beat yourself up about that; and how much you can, in some sort of providential way, console yourself and say, 'Well, it's all worked out for the best, in the best of all possible worlds.'
There's always a ying-yang in life. With everybody. There's evil in all of us. It's just about how you balance out the evil and the good and having faith in yourself and how you carry yourself.
I travel a ridiculous amount, so I've thought a lot about, and spent a lot of time refining, what I carry and how I carry it.
He gives me a kiss that barely touches my lips – it means nothing or everything. After he’s gone, I think, Happy birthday to me. Jack says, ‘That was the guy?’ ‘That was him.’ Jake shakes his head. ‘What?’ ‘He’s not for you,’ he says. I say, ‘How do you know?’ but what I mean is, How do you know? ‘He’s like Ashley Wilkes,’ he says. ‘Any one of these guys is Rhett-ier than he is.’ Again, I ask my benignly inflected, ‘How do you know?’ ‘How do I know?’ he says, tackling me into a bear hug. ‘How do I know? I know, that’s how I know.
A lot of my poems are about how ill I am and how I probably won't live beyond next week. I publish a poem and everyone says 'cluck cluck, how wonderful, how brave', but then embarrassingly I'm still here! You see the problem?
You have to learn how to dress yourself and how to walk into a room and talk to people. Once you're in rehearsal, you have to know how to rehearse and how to communicate with your creatives, even if you don't communicate the same way.
I've come to realize that the difference in success or failure is not how you look, how you dress, or how you're educated. It's how you think !
We live in the Facebook era. I think everyone, not just celebrities, have an unprecedented level of self-awareness, of presenting yourself to the world. The truth is, it starts with how you look, and that goes into how you dress.
To spend any time with someone who is among the top five film composers of the last 50 years is pure gold dust. I mean, not necessarily stylistically, because everyone is different in what their music sounds like, but the approach and how to look at a film, how to think about a film, how to decide what you want to do, how to think about characters, how to think about art, how to think about narrative, how to liaise with producers, how to liaise with directors.
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