A Quote by Harry Beitzel

When you are in the public eye you cannot afford to show doubts. I do my crying alone. — © Harry Beitzel
When you are in the public eye you cannot afford to show doubts. I do my crying alone.
A single factory, potentially capable of supplying a whole continent with its particular product, cannot afford to wait until the public asks for its product; it must maintain constant touch, through advertising and propaganda, with the vast public in order to assure itself the continuous demand which alone will make its costly plant profitable.
Corporate America cannot afford to remain silent or passive about the downward spiral we are undergoing. It cannot turn a blind eye to how difficult the experience of life is for so many of their customers.
All I can do when I'm on stage is do a show where when I come back into town they cannot possibly afford to miss the show because they remember how fun it was.
And so, through all the thick mists of the dim doubts in my mind, divine intuitions now and then shoot, enkindling my fog with a heavenly ray. And for this I thank God; for all have doubts; many deny; but doubts or denials, few along with them, have intuitions. Doubts of all things earthly, and intuitions of some things heavenly; this combination makes neither believer nor infidel, but makes a man who regards them both with equal eye.
Because of the makeup of the NBA, it cannot afford for the public to turn on them.
To me the biggest irony of this lifetime that I'm living is that for someone who thrives in the public eye in the creative ways that I do, I actually don't enjoy being in the public eye.
For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies.
We cannot afford to differ on the question of honesty if we expect our republic permanently to endure. Honesty is not so much a credit as an absolute prerequisite to efficient service to the public. Unless a man is honest, we have no right to keep him in public life; it matters not how brilliant his capacity.
Man cannot afford to be a naturalist, to look at Nature directly, but only with the side of his eye. He must look through and beyond her.
Americans cannot afford to turn a blind eye to Russian interference in our democracy. We need to get to the facts and learn lessons to prevent future misconduct by foreign governments.
Think of a public library, worth more for those who cannot afford numerous books. Think of a public waterway or fishing ground. All types of commons have imputed monetary value that together comprise a source of social income. As such, the commons reduces economic inequality and insecurity in society.
We cannot afford to deliberately cripple our cities by transferring public tax dollars to private entities for benefits that are unclear at best.
'Greg the Bunny,' the comedy television show that I co-created, happened almost by accident. Dan Milano, Spencer Chinoy and myself made a public access show that caught the eye of IFC, and it has had three incarnations since then with a season on Fox.
Men and women cannot live by bread alone. They must also tinkle. Show me someone who has no trouble tinkling, and I will show you a happy and rich person.
Each day brought just another minute of the things they could not leave behind. Jane Barrington sitting on the train coming back to Leningrad from Moscow, holding on to her son, knowing she had failed him, crying for Alexander, wanting another drink, and Harold, in his prison cell, crying for Alexander, and Yuri Stepanov on his stomach in the mud in Finland, crying for Alexander, and Dasha in the truck, on the Ladoga ice, crying for Alexander, and Tatiana on her knees in the Finland marsh, screaming for Alexander, and Anthony, alone with his nightmares, crying for his father.
I would want to do a cooking show. But I want to honor the opportunity that's been given to me with 'Queer Eye.' I feel like my work is cut out for me with the show alone. If it ever goes bust, then I'll explore that possibility.
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