A Quote by Harry Nilsson

Everybody's talkin' about me, I don't hear a word they're saying, only echoes on my mind. — © Harry Nilsson
Everybody's talkin' about me, I don't hear a word they're saying, only echoes on my mind.
I saw 'Taxi Driver,' and 'Taxi Driver' kind of saved my life. The scene where Robert De Niro is looking at himself in the mirror saying, 'You talkin' to me? You talkin' to me? Who the hell else are you talkin' to?' That's the scene that changed my life by changing my attitude about acting.
Talkin', talkin, talkin', talk. Baby, let's just knock it off. They don't know what we been through. They don't know 'bout me and you.
Every time I talk about this, I say: when the singer is singing, he must be respected, you must be able to hear what he's saying. You can't put a trombone and a drum up there, and a microphone on the drum, microphones on everybody. You can't hear what he's saying.
I seen it over an' over—a guy talkin' to another guy and it don't make no difference if he don't hear or understand. The thing is, they're talkin', or they're settin' still not talkin'. It don't make no difference, no difference. [...] George can tell you screwy things, and it don't matter. It's just the talking. It's just bein' with another guy. That's all.
I'm friends with everybody, I love everybody. I trust everybody because they don't give me reasons not to you know what I'm saying? So, if everybody just trusted everybody and if everybody just loved everybody then we'd live in a perfect world... you know what I'm saying? I mean, why not?
I'm talkin' about a place where the beer flows like wine, where the women instinctively flock like the salmon of Capistrano. I'm talkin' about Aspen.
You won't hear me talk about my politics, you won't hear me talk about my vegetarianism, you won't hear me comment on the Iraq war. You'll only hear me talk about being gay and being an actor. I am just public on those two issues.
I hear all the critics, man. I hear them saying 'He's done.' I hear them saying 'He can't.' I hear all that. That keeps me going.
The writer must be able to revel and roll in the abundance of words; he must know not only the direct but also the secret power of a word. There are overtones and undertones to a word, and lateral echoes, too.
You think about when I went to Miami. I played as a freshman, I go in and compete to be a starter, I tear my ACL. Come back, I start, I get off to a good couple of games and I get hurt again. You hear everybody saying, 'Oh, he's done.' I get drafted in the third round. People still said I got drafted too high, saying I'll only play three years.
I always had a Twitter account. I always had an Instagram account. I was always active on it, always spoke my mind. To me, it's really weird that I got so many followers and people that pay attention the way they do. It's hilarious, actually, because people didn't used to listen to me at all. I used to be like, "Does anybody hear me talkin'?"
I don't mind comments saying things about me. I do mind them saying things about those young, brave men and women who have volunteered. That's offensive to me that people would say those kind of comments about Americans who have volunteered to take the fight to the enemy.
I'm just tired of everything…even of the echoes. There is nothing in my life but echoes…echoes of lost hopes and dreams and joys. They're beautiful and mocking.
Put this in your CD-ROM: www dot Canibus dot com. You can find me on the Internet, talkin' to chicks That was sweatin' me off the 'Music Makes Me High' remix. I be talkin' mad trash, tryin to get 'em to laugh. See, if I click and drag long enough I'll get the ass.
If I worry about what everybody is saying, there is going to be a lot on my mind. I don't want that.
The hardest thing about being famous is that ... in a conversation everybody's agreeing with what you're saying. ... You need people who can tell you what you don't want to hear.
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