A Quote by Harshvardhan Rane
I so wish my dad was alive to see me do a Hindi film after acting in six Telugu movies. I sometimes imagine him giving me feedback on my work. But I derive strength from knowing he is watching over me.
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I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
I still can't believe that I was accepted by Telugu audiences because I don't know Telugu. Without knowing me, the Telugu people gave me their unconditional love.
I wanted to greet people in Telugu, so I asked someone how to say 'How are you' in Telugu. In fact, I instructed my entire staff to speak to me only in Telugu. So, there were times when I would ask them to translate certain words for me in Hindi, but the effort paid off.
Everybody has been saying 'Srimanthudu' is the best film of my career. After watching the film, Dad told me that he's never seen me perform like this. I just couldn't stop myself from crying.
My dad told me that he came to the U.S. because of watching Hollywood movies. So the American Dream for him was based on what you see in films.
You once said you loved me. Do you still?" My sister is watching this exchange between us. She smiles warmly at me, giving me the strength to tell him the truth. "I never stopped loving you. Even when I tried desperately to forget you. I couldn't.
Spike optioned my first book, 'Now the Hell Will Start,' and he trusted me to write the screenplay, too. That was an awesome learning experience - I grew up watching Spike's movies, and here he was giving me handwritten notes about structure and dialogue. His feedback taught me so much about how to craft a cinematic narrative.
Maybe sometimes, when I see some kids, you know, with their families. It's making me cry. You know, maybe when I ask them, sometimes, like, 'How does it feel to have a dad?' And, you know, they tell me this great answers, and sometimes I wish my dad was here.
I'm half Telugu. My mom is Telugu and dad, a Maharashtrian. I was brought up in Gwalior. I was exposed to English, Hindi, and Marathi. I heard my mom speak to her family in Telugu, so I got the hang of it.
I'm not really sure if I have anything that inspires me. I think what goes into my work is everything beforehand that I do with my dad. He teaches me acting, and I think maybe without him it would be pretty hard. I started acting for fun, really, because my dad's an actor and my sister's an actor, so I started doing it and it was normal. But it got places really fast, and I started doing feature film auditions and stuff.
Once, a man at the customs duty check at the Delhi Airport asked me a question in Hindi, and I told him that I didn't speak the language. He got angry and said, 'How could you not speak in Hindi? Hindi is our mother tongue.' I told him that it wasn't my mother tongue. He got furious, and made me wait for over 45 minutes.
When 'Wherever I Lay My Hat' went to number one in 1983, I was still driving a green Viva HC that my dad had given me. People would see me drive past and say, 'It can't be him,' but you don't get any money until about six months after a record is a hit.
My dad's been giving me Snickers since I was six years old. Since I first turned amateur, my dad's been giving it to me.
Somehow, Hindi movies never took me in the same way Hollywood films did. Even at the age of five or six, I could see the difference in the quality of execution.
My very first film in Hindi - 'CID' - was with Dev Anand. I was a big fan of his. So you can imagine my excitement and nervousness at doing a film with him. On the very first day on the sets, when I called him 'Dev Saab' he turned around and said 'No no, call me Dev.'
I started watching so many different types of women, saw all the complexities of them, all the ways and the look and shapes they could be, and I felt it was missing for me in American film. I didn't see anybody I was watching in movies that felt like me. I felt rather tortured and lonely about it.
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