A Quote by Heinrich Hertz

Outside our consciousness there lies the cold and alien world of actual things. Between the two stretches the narrow borderland of the senses. No communication between the two worlds is possible excepting across the narrow strip. For a proper understanding of ourselves and of the world, it is of the highest importance that this borderland should be thoroughly explored.
The right way usually lies between two extremes: it is the narrow channel between the rock and the whirlpool.
If reality impacted directly on our senses and our consciousness, if we could have direct communication between the material world and ourselves, art would be unnecessary.
In 1966 Rolf Edberg wrote "This is mankind's home", "in the narrow borderland between the deathly heat beneath our feet and the coldness of space above us". He describes the fragility of our existence in poetic terms: "the atmospheric layer is so thin that it cannot be represented on any globe with even the finest brushstroke. At its thickest, it is only a few fractions of a millionth of the Earth's radius. This thin layer is what makes the difference between our planet and the sterile landscape of the moon." After reading that, one does feel the need to take better care of this fragile layer.
I've been wanting to tell people my theory about what goes on after time. It's beyond our consciousness. We get glimpses of it between the infrared and the ultraviolet - the narrow narrow corridor of light that we are able to perceive.
Indie world won't have me, and mainstream world treats me like an alien, but here I am still floating between these two worlds.
The problem with people who are afraid of imagination, of fantasy, is that their world becomes so narrow that I don't see how they can imagine beyond what their senses can verify. We know from science that there are entire worlds that our senses can't verify.
Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud
As an American, you appreciate the importance of our security alliance, the importance of the economic ties between our two countries, and while I knew of the two bonds between our two people, until I came here, I didn't really appreciate how deep the people-to-people connections are between the American people and the Japanese people.
But there's a world beyond what we can see and touch, and that world lives by its own laws. What may be impossible in this very ordinary world is very possible there, and sometimes the boundaries between the two worlds disappear, and then who can say what is possible and impossible?
On this narrow planet, we have only the choice between two unknown worlds. One of them tempts us - ah! what a dream, to live in that! - the other stifles us at the first breath.
Jew and Gentile are two worlds, between you Gentiles and us Jews there lies an unbridgeable gulf...There are two life forces in the world Jewish and Gentile...I do not believe that this primal difference between Gentile and Jew is reconcilable...The difference between us is abysmal...You might say: 'Well, let us exist side by side and tolerate each other. We will not attack your morality, nor you ours.' But the misfortune is that the two are not merely different; they are opposed in mortal enmity. No man can accept both, or, accepting either, do otherwise than despise the other.
The truth of God may well be likened to a narrow path skirted on either side by a dangerous and destructive precipice: in other words, it lies between two gulfs of error.
It is possible to move through the drama of our lives without believing so earnestly in the character that we play. That we take ourselves so seriously, that we are so absurdly important in our own minds, is a problem for us. We feel justified in being annoyed with everything. We feel justified in denigrating ourselves or in feeling that we are more clever than other people. Self-importance hurts us, limiting us to the narrow world of our likes and dislikes. We end up bored to death with ourselves and our world. We end up never satisfied.
I've always written towards movies that take place across two worlds. Most of the movies that I've worked on take place in two worlds, or sometimes three worlds, where you have a normal world and a fantasy world that mix and overlap. I never shy away from the series stuff in the real world. Big Fish is about mortality.
Magic lies in between things, between the day and the night, between yellow and blue, between any two things.
This world, this universe which our senses feel, or our mind thinks, is but one atom, so to say, of the Infinite, projected on to the plane of consciousness; and within that narrow limit, defined by the network of consciousness, works our reason, and not beyond. Therefore, there must be some other instrument to take us beyond, and that instrument is called inspiration.
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