A Quote by Helen Hayes

The good die young but not always. The wicked prevail but not consistently. I am confused by life, and I feel safe within the confines of the theatre. — © Helen Hayes
The good die young but not always. The wicked prevail but not consistently. I am confused by life, and I feel safe within the confines of the theatre.
I think any sport needs to be accessible, affordable and practiced within the confines of a safe environment. Parents who have young children want to be able to leave their child somewhere which has good facilities and where they're going to be looked after.
When I am shooting, I am inside the theatre, when I am in the editing room, I am inside the theatre. I always try to feel what they will feel. I see a film, not as a director, but as the audience. If I am entertained, they will be, too.
Young men go to war. Sometimes because they have to, sometimes because they want to. Always, they feel they are supposed to. This comes from the sad, layered stories of life, which over the centuries have seen courage confused with picking up arms, and cowardice confused with laying them down.
I would do theatre till I die. Theatre keeps your honesty alive. You can't pollute yourself. You learn a lot, and you use theatre techniques in life.
It is safe to be me. I love life. I am always safe and secure. I move forward in life with joy and ease. All is well in my world.
There's a Cuban saying: Bicho malo nunca muere. Loose translation: The good die young but the wicked live forever. It seems to apply to Fidel. I hope it applies to me.
Life seems complicated to me; I feel confused a lot of the time by life. I feel confused about the fact that we can be so tender as creatures to one another, and so monstrous at the same time.
While it does, and should, feel good to be appreciated by another person, if you are dependent upon their appreciation to feel good, you will not be able to consistently feel good, because no other person has the ability, or a responsibility, to hold you as their singular, positive object of attention. Your Inner Being, however, the Source within you, always holds you, with no exceptions, as a constant object of appreciation. So if you will tune your thoughts and actions to that consistent Vibration of Well-Being flowing forth from your Inner Being-you will thrive under any and all conditions.
So, theatre will always be my first love. It's not that I am trained in it, but I also feel that theatre gives an altogether different experience every time it is played. But a movie and a TV show is always a one time experience for me.
Any time you know you're within the law, within your legal rights, within your moral rights, in accord with justice, then die for what you believe in. But don't die alone. Let your dying be reciprocal. This is what is meant by equality. What's good for the goose is good for the gander.
God can be good and terrible-not in succession-but at the same time. This is why we seek a mediator between us and him; we approach him through the mediating priest and attenuate and enclose him through the sacraments. It is for our own safety: to trap him within confines which render him safe.
I feel safe even in the midst of my enemies; for the truth is powerful and will prevail.
I am aware that I am very old now; but I am also aware that I have never been so young as I am now, in spirit, since I was fourteen and entertained Jim Wolf with the wasps. I am only able to perceive that I am old by a mental process; I am altogether unable to feel old in spirit. It is a pity, too, for my lapses from gravity must surely often be a reproach to me. When I am in the company of very young people I always feel that I am one of them, and they probably privately resent it.
I am not and will never again be a young writer, a young homeowner, a young teacher. I was never a young wife. The only thing I could do now for which my youth would be a truly notable feature would be to die. If I died now, I'd die young. Everything else, I'm doing middle-aged.
Theatre within theatre, when characters sees themselves on stage, always raises philosophical questions of choice and free will.
If you look at the muscularity of something like 'Wicked' and the way it has just spawned sort of generations of young people wanting to get involved in the theatre - it's brilliant.
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