A Quote by Helen Mirren

The hardest period in life is one’s twenties. It’s a shame because you’re your most gorgeous, and you’re physically in peak condition. But it’s actually when you’re most insecure and full of self-doubt. When you don’t know what’s going to happen, it’s frightening.
Art glows with faith even in its weakest parts. At every moment, writing is an act of self-confidence – the sheerest, most determined, most stubborn self-belief. You CAN have faith and doubt at the same time; the most insecure writer on the planet has faith that shines just as bright as her doubt, and she deserves props for that. It might be hidden deep, she might not feel it and you might not see it, but it’s in there, or she wouldn’t be able to write.
I know this is going to sound very self-serving, and I apologize for it, but if you can write comedy, you can pretty much write anything, because it's the hardest. It's the most technically demanding, the most precisely evaluated form of writing. People know if it works or not. There's a big button marked 'fail,' and that's when nobody laughs.
If I learned one thing, it is that self-doubt is one of the most destructive forces. It makes you defensive instead of open, reactive instead of active. Self-doubt is consuming and cruel. And my hope today is that we can all collectively agree to ban it. .?.?. Think to the moments of your life when you forgot to doubt yourself. When you were so inspired that you were just living and creating and working. Pay attention to those moments because they're trying to reach you through those lenses of doubt and trying to show you your potential.
Ironically, parenting is a shame and judgment minefield precisely because most of us are wading through uncertainty and self-doubt when it comes to raising our children.
The condition that is most disagreeable in your life becomes the most useful one. You know, I feel the same way about the U.S. Army. It was absolutely the worst experience of my life, and it was probably the single most valuable experience.
Love is a really scary thing and you never know what's going to happen. It's one of the most beautiful things in life, but it's one of the most terrifying. It's worth the fear because you have more knowledge, experience, you learn from people, and you have memories.
Love is a really scary thing, and you never know what's going to happen. It's one of the most beautiful things in life, but it's one of the most terrifying. It's worth the fear because you have more knowledge, experience, you learn from people, and you have memories.
So here are reasons why I talk to strangers: because I never know what might happen, because the world is full of surprises; because the very thing I am most worried about might turn into the thing I need most.
Of course you want to drive that out of yourself because you want to be wise, not foolish. You also have to allow for the self-serving bias of everybody else because most people are not going to remove it all that successfully, the human condition being what it is. If you don't allow for self-serving bias in your conduct, again you're a fool.
There's another style of meditation that I've been doing since my mid-twenties. Tapping into your higher self to get a glimpse of yourself from the outside and get insight into what's going on in your life. I learned that from my godfather in my mid-twenties.
I know that the human condition will be radically changed through technical means. Much of this change will be painful, monstrous and horrible. Most mutations are disgusting failures, most experiments are failures. I accept this and I don't find it frightening.
Most argument, and in fact most conflict, has nothing to do with the present. It's always about the past or the future. People can't agree on the details of what has happened or is going to happen. But we rarely know what has happened, and we never know what is going to happen. What is really at dispute is how we will deal with not knowing.
If we are to understand the human condition, and if we are to accept ourselves in all the complexity, self-doubt, extravagance of feeling, guilt, joy, the slow freeing of the self to its full capacity for action and creation, both as human being and as artist, we have to know all we can about each other, and we have to be willing to go naked.
The creative process is also the most terrifying part because you don't know exactly what's going to happen or where it is going to lead. You don't know what new dangers and challenges you'll find. It takes an enormous amount of internal security to begin with the spirit of adventure, discovery, and creativity. Without doubt, you have to leave the comfort zone of base camp and confront an entirely new and unknown wilderness.
The whole body-mind thing comes into play, when you are feeling that self-doubt and your body is not going to help you if you're not paying attention. Your body's going to go with the self-doubt and make you feel worse, so by making the adjustments - pulling your shoulders back, standing up straight, walking in a more sort of expansive way - all sorts of little things will help pull you out of that self-doubt.
It takes a lot of guts to come out to your friends and family. For most gay people, coming out is the most traumatic experience in their life because of the worry about the backlash: 'What's going to happen? Are my parents going to accept me? Are my friends going to accept me? Are my sisters and brothers going to accept me?'
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