A Quote by Henry Fuseli
Our ideas are the offspring of our senses; we are not more able to create the form of a being we have not seen, without retrospect to one we know, than we are able to create a new sense. He whose fancy has conceived an idea of the most beautiful form must have composed it from actual existence.
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I haven't come across any recent new ideas in film that strike me as being particularly important and that have to do with form. I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly original mind will not be able to function in the old form and will simply do something different. Others had much better think of the form as being some sort of classical tradition and try to work within it.
The task of understanding is not to replicate in conceptual form something that already exists, but rather to create a wholly new realm, that together with the world given to our senses constitutes the fullness of reality.
Are we our bodies? Is a small person less than a big person, then? If we were our bodies, then when we lost an arm, or a leg, would we be less, would we begin to fade from existence? No. We are the same person. We are not our bodies; we are our thoughts. As they form, they define who we are, and create the reality of our existence.
We know there are billions of stars and planets literally out there, and the universe is getting bigger. We know from our fancy telescopes that just in the last two years more than 20 planets have been identified outside our solar system that seem to be far enough away from their suns - - and dense enough - - that they might be able to support some form of life. So it makes it increasing less likely that we're alone. But if we were visited someday, I wouldn't be surprised.
The study of an idea is, of necessity, the story of many things. Ideas, like large rivers, never have just one source. Just as the water of a river near its mouth, in its final form, is composed largely of many tributaries, so an idea, in its final form, is composed largely of later additions.
Being able to connect with people with similar taste and style also allows people to get to know us better. Although we have been around for a little, some people listen to our music and some people don't listen to our music, so it's nice to be able to curate the sounds and show our influences. Although it's nice to go out and look fancy and dress up, you don't always go to parties where the music is a good so it's nice to be in a position to bring the vibes and create the experience.
I regard texture similar to the function of taste buds in our mouths. But in a visual form. Texture does create a specific flavour which affects our senses.
Sexuality is a part of our behavior. It's part of our world freedom. Sexuality is something that we ourselves create. It is our own creation, and much more than the discovery of a secret side of our desire. We have to understand that with our desires go new forms of relationships, new forms of love, new forms of creation. Sex is not a fatality; it's a possibility for creative life. It's not enough to affirm that we are gay but we must also create a gay life.
We create the possibility for a better human form in our next life if during our jamaloca existence after death, when we still have an astral body, we can have memories connected with music.
The most important ingredient we put into any relationship is not what we say or what we do, but what we are. And if our words and our actions come from superficial human relations techniques (the Personality Ethic) rather than from our own inner core (the Character Ethic), others will sense that duplicity. We simply won't be able to create and sustain the foundation necessary for effective interdependence.
Our senses enable us to perceive only a minute portion of the outside world. Our hearing extends to a small distance. Our sight is impeded by intervening bodies and shadows. To know each other we must reach beyond the sphere of our sense perceptions. We must transmit our intelligence, travel, transport the materials and transfer the energies necessary for our existence.
If we consider what science already has enabled men to know-the immensity of space, the fantastic philosophy of the stars, the infinite smallness of the composition of atoms, the macrocosm whereby we succeed only in creating outlines and translating a measure into numbers without our minds being able to form any concrete idea of it-we remain astounded by the enormous machinery of the universe.
But whether I become a believer or remain an agnostic, my belief or disbelief must derive its source from within, not from without. I, myself, must create its symbols. The transcendental is that which produces its own form. I will never discover its secret if I do not find it in my own heart; if I do not possess it already I shall never be able to acquire it.
Each thing that exists remains forever, and that very existence of existence is proof of its eternity. But without that realization, which is the knowledge of perfect being, man would never know whether there was existence or non-existence. If eternal existence is altered, then it must become more beautiful; and if it disappears, it must return with more sublime image; and if it sleeps, it must dream of a better awakening, for it is ever greater upon its rebirth.
My dad has this beautiful spirit of being able to create no matter where he is. He's always been so selfless with our family. It's hard to put words to it. He's an incredible man.
A form wherein we can enjoy simultaneously what is best in both the novel and the short story form. My plan was to create a book that affords readers some of the novel's long-form pleasures but that also contains the short story's ability to capture what is so difficult about being human - the brevity of our moments, their cruel irrevocability.
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