A Quote by Henry Golding

'Crazy Rich Asians' and 'A Simple Favor' were each a master class in filmmaking, and I had so much fun working with all my costars. — © Henry Golding
'Crazy Rich Asians' and 'A Simple Favor' were each a master class in filmmaking, and I had so much fun working with all my costars.
I auditioned for 'Crazy Rich Asians' four times and it was very, very hard for me to not get it, because it was like, these 'Crazy Rich Asians' people were the cool kids and I was the one being left out.
It's called 'Crazy Rich Asians,' but it's really not about crazy rich Asians. It's about Rachel Chu finding her identity and finding her self-worth through this journey back into her culture. Which, for me as a filmmaker, exploring my cultural identity is the scariest thing.
When my first novel, 'Crazy Rich Asians,' was published in 2013, many readers were astonished to learn that in Asia, there were women who dressed in couture from morning till night.
We were very - we were a working family, and my father had this very simple philosophy, simple working class approach. If you spoke to my father and said, "Mr Smith across the road, what do you think of Mr Smith?", he'd only - he'd only say a couple of words. He'd say, "He's a worker", and that meant this bloke got up in the morning, went out, worked, brought his money home, fed his wife and kids, housed them, got them to school, educated them, made sure they were safe and all that. It had so much connotations to it.
'Crazy Rich Asians' may be fiction, but given the situation I grew up in, I've had an unparalleled view into the very real world it depicts.
I'll be a janitor in 'Crazy Rich Asians 2.' Let's do that.
I'm not sure if being Chinese really helped, but I do think that if a non-Asian had written a book called 'Crazy Rich Asians,' they might not have been looked upon so kindly.
I grew up on film sets and I had a ball. It wouldn't have had nearly as much fun if my dad had been working behind a desk somewhere. I remember being on the set of 'The Godfather: Part III,' and all the kids were running around and doing crazy things, and Francis Ford Coppola just embraced that.
My upbringing was middle-class but my parents' families were both working-class so I had this odd combination of working-class background but in a privileged position.
'Crazy Rich Asians' has been compared to 'Black Panther,' but I feel like that's a false equivalency. The idea that there's only this film for Asians and that film for African Americans - it's so binary. I don't think it's like that at all. There should be and will be many films and many stories. Hopefully this just opens the floodgates.
I feel like my evolution has come to a place where now I'm attached to Crazy Rich Asians.
I never thought an opportunity like 'Crazy Rich Asians' would ever come my way.
Woodfall wasn't deliberately telling working-class stories, but John Osborne and other writers who were involved with them were writing those stories, which had never really been written before. The working-class person always had to have an accent before, was often a joker, and peripheral. At Woodfall, they were driving the film.
Being able to work on a film like 'Crazy Rich Asians' as your first role is phenomenal.
It wasn't until I worked on 'Crazy Rich Asians' that I all of a sudden have this Asian crew of friends that I became super close with.
We were working class, but my mother stopped working at the mill when she married my father and he went on to become an electrical engineer and later a draughtsman. So although we were never rich he was bringing in enough money to be able to splash out occasionally.
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