A Quote by Henry Jenkins
When I first started you would pitch a story because without a good story, you didn't really have a film. Later, once sequels started to take off, you pitched a character because a good character could support multiple stories. and now, you pitch a world because a world can support multiple characters and multiple stories across multiple media.
Related Quotes
Joe and I have always been drawn to ensemble storytelling. We like the idea of telling stories from multiple characters' points of view and thinking about the story from multiple characters' points of view.
It would be great if we were on multiple planets, but I think that's unrealistic. Hawking says we have to be on multiple planets so an asteroid could come and you'd still have some humans left. It's a nice idea. It satisfies the multiple-eggs-in-multiple-baskets concept.
I tend to favour films that have multiple plot and story lines, multiple characters and ensemble pieces.
Every year in consulting is like three years in the corporate world because you have multiple clients, multiple issues - you grow so much.
'Game of Thrones' has multiple story lines, multiple countries, and it's complete fantasy.
When you do films that have multiple sequels, you develop a character for a film.
As a novelist, your impulse is toward multiplicity: multiple voices, multiple perceptions, multiple nuances, the ambiguity in human communication. Fiction really is the ultimate home for that sense of ambiguity.
I believe that stories find writers, writers don't find stories. With the 'Pendragon' series, I actually had multiple story ideas and decided that instead of writing them individually, I would create a character whose journey would thread them all together.
The idea of having different characters is really just to get the storyline across, you know? Coming from one particular character makes, to me, the story boring. I get that mainly from novels and that style of writing or movies where there's multiple characters who carry the storyline.
People are used to juggling multiple jobs and multiple responsibilities and multiple things on the home front, and sometimes you get a day off to read, and you just want a book that feels complete and that you can get through it on a rainy day on the couch.
The fun thing about writing a book with multiple paths and multiple endings is you really get to explore the characters and figure out their different fates.
I recently read a collection of stories called 'Boondock Kollage,' by Regina Bradley. The stories follow multiple characters through the South, through the past and present. I loved reading that book: the first time I read the opening story, I was breathless and incoherent.
... We must remember that there's more than one story and plot in every novel. There are at least as many stories as there are main characters, and each of these stories has to have multiple plots to keep it going - blood and bone, nerve and tissue, forgotten longing and unknown events.
Authors should do multiple submissions to agents. I mean, that's the way the business world works and whether or not the industry likes it or not, they can't stop you from submitting to multiple agents and you know what? If an agent misses out on you because they took too long with your query letter, tough luck for them.
I think I can fit in multiple styles and adjust to multiple styles just because of my skill set.
For almost every character I've played in the 43 years I've been working as a professional actor, I've found parts of myself. We are all bipolar in the tiniest essence of what it is. We are all multiple personalities, in a sense, and to be healthy mentally, I think, learning what those multiple personalities are and inviting them in your life is really important.
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