A Quote by Henry Moore
The creative habit is like a drug. The particular obsession changes, but the excitement, the thrill of your creation lasts.
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The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness. It is not like a drug; it is a particular state when everything happens very quickly, a mixture of consciousness and unconsciousness , of fear and pleasure; it's a little like making love, the physical act of love.
One hasn't become a writer until one has distilled writing into a habit, and that habit has been forced into an obsession. Writing has to be an obsession. It has to be something as organic, physiological and psychological as speaking or sleeping or eating.
Drew Callahan is my absolute weakness. Like a drug I can't get enough of. He's my addiction and if I'm honest with myself, I'm not looking to kick that particular habit anytime soon.
The art of creation lies in the gift of perceiving the particular and generalizing it, thus creating the particular again. It is therefore a powerful transforming force and a generator of creative solutions in relation to a given problem.
I've found that all weak people share a basic obsession - they fixate on the idea of satisfaction. Anywhere you go men and women are like crows drawn by shiny objects. For some folks, the shiny objects are other people, and you'd be better off developing a drug habit.
Let me tell you something. When I was young, I was an armed robber. I did robberies. And there's no adrenaline rush like that. When you're using drugs and doing robberies, it's hard to distinguish whether you're doing robberies to support your drug habit, or doing drugs to support your robbery habit.
Obsession remains the price of creation, and the writer who declines that risk will come up with nothing more creative than 'The Foxes of Harrow' or 'Mrs. Parkington.'
Your god may be your little Christian habit - the habit of prayer or Bible reading at certain times of your day. Watch how your Father will upset your schedule if you begin to worship your habit instead of what the habit symbolizes. We say, 'I can't do that right now; this is my time alone with God.' No, this is your time alone with your habit.
The machine has got to be accepted, but it is probably better to accept it rather as one accepts a drug - that is, grudgingly and suspiciously. Like a drug, the machine is useful, dangerous, and habit-forming. The oftener one surrenders to it the tighter its grip becomes.
I don't know if this is a good thing to say, but the musical obsession has almost shifted to a creative obsession now.
At first, when an idea, a poem, or the desire to write takes hold of you, work is a pleasure, a delight, and your enthusiasm knows no bounds. But later on you work with difficulty, doggedly, desperately. For once you have committed yourself to a particular work, inspiration changes its form and becomes an obsession, like a love-affair… which haunts you night and day! Once at grips with a work, we must master it completely before we can recover our idleness.
The art of creation lies in the gift of perceiving the particular and generalizing it, thus creating the particular again. It is therefore a powerful transforming force and a generator of creative solutions in relation to a given problem. It is the currency of human exchanges, which enables the sharing of states of the soul and conscience, and the discovery of new fields of experience.
I have a bad habit of picking up books about drugs, but that's better than having a drug habit, I think.
You'll be dedicated and that's what you should want to be in anything in life - whether it's sports or academics or your relationship. It all stems from finding that fun, that thrill, that excitement.
Communications technology changes possibilities for communication, but that doesn't mean it changes the inherited structure of the brain. So you may think that you're addicted to online reading, but as soon as it isn't available anymore, your brain will pretty immediately adjust to other forms of reading. It's a habit like all habits.
Everything vanishes, falls apart, doesn't it? Nature is always the same but nothing in her that appears to us lasts. Our art must render the thrill of her permanence, along with her elements, the appearance of all her changes. It must give us a taste of her Eternity.
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