A Quote by Henry Rollins

I have never experienced anything like walking out onto the stage of an oversold venue and, before the first note is struck, realizing that there is not going to be enough oxygen for all of us.
For me anyway, until I was exposed to doing improvisation and walking onto a stage without any script, I would have never felt comfortable enough to walk into a room with someone like Larry David and audition.
I had never experienced anything like it before and I don't think I have experienced anything like it since [on Ruapehu]. It was my dreams coming true in a way, and from there on I tended to become more of a doer than a dreamer.
The first time I stepped onto the rooftop of the Potala Palace in Lhasa in 1985, I felt, as never before or since, as if I was stepping onto the rooftop of my being: onto some dimension of consciousness that I'd never visited before.
College has been oversold. It has been oversold to students who end up dropping out or graduating with degrees that don't help them very much in the job market. It also has been oversold to the taxpayers, who foot the bill for subsidies that do nothing to encourage innovation and economic growth.
Up to the age of 14 I had not heard a note of anything before 1750, never heard a note of Bach, never heard anything after Wagner, and never heard any real jazz.
The reality is there is only each present moment: You are called to give a talk. You get out of a building and into a car. You look out of the window. You arrive at the venue. You sit in the chair; you wait; you step out onto the stage. Every movement is simple. There is only that.
There's nothing like walking onto a Hollywood sound stage.
One of my first days shooting on 'Game of Thrones' was possibly the coldest day I've ever experienced in my life, and that sticks out especially because I'd never, ever done anything before.
It was an extraordinary experience to have backup singers like the Mormon Tabernacle Choir. I have never experienced anything quite like it before and I wouldn't trade it for anything in the world.
I'm not experienced enough, or certain enough of my acting on the screen to say to a director, "You are wrong, I am right. I will only do it this way." I could never feel that, I wish I could be absolutely certain. But on the stage, it's different. I know where I am on the stage.
You have to risk to get ahead The person whos always hugging the tree trunk and never walking out onto the skinny branches will never succeed. Sometimes you have to walk out onto the skinny branches, and that means having goals, taking a risk.
That solo on "Lord, I'm Discouraged" in terms of notes it isn't anything like it, but in terms of aesthetic, it's direct rip-off from the "November Rain" solo. In fact, when I did it, I imagined myself walking out of a church, walking out onto a cliff and doing a guitar solo. Slash has always been one of my favorites because the guy uses a lot of melody in his solos.
I remember seeing this image of these women wearing these bright clothes and patterns, and it struck me. I remember taking note and going, like, "What is that? Who is that?" and finding out it was Gucci and being surprised.
I never dreamed that I would hear 10,000 people screaming when I stepped out onto a stage. Well, that's not entirely true. I dreamed about it but in a performing-on-the-stage-at-Staples-Center-or-Madison-Square-Garden context. But never in a I'm-in-a-movie-that-hasn't-even-come-out-yet one.
I suppose any note, no matter how sour, sounds like a song if you hold onto it long enough.
I would like to see us get this place right first before we have the arrogance to put significantly flawed civilizations out onto other planets, even though they may be utterly uninhabited.
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