A Quote by Herman Melville
Students of history are horror-struck at the massacres of old; but in the shambles, men are being murdered to-day.
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When I saw photographs of children murdered by the Fascist, I felt furious pity. When the supporters of Franco talked of Red atrocities, I merely felt indignant that people should tell such lies. In the first case I saw corpses, in the second only words. . . I gradually acquired a certain horror of the way in which my own mind worked. It was clear to me that unless I cared about every murdered child impartially, I did not really care about children being murdered at all.
Jesus-murdered. Martin Luther King-murdered. Gandhi-murdered. Malcolm X-murdered. Reagan-wounded.
I love horror. It's funny, because 'The Invitation' never struck me as horror, but it's definitely that type of thriller.
The young mouse's eyes snapped open, clear and bright. He swung the ancient sword high and struck at the giant adder. He struck for Redwall! He struck against evil! He struck for Martin! He struck for Log-a-Log and his shrews! He struck for dead Guosim! He struck as Methuselah would have wanted him to! He struck against Cluny the Scourge and tyranny! He struck out against Captain Snow's ridicule! He struck for the world of light and freedom! He struck until his paws ached and the sword fell from them!
I think that, back in the day, there used to be a lot of horror films that kind of had a checklist of what went into making the 'perfect horror film', and I think now people are raising the bar in the industry, as far as the types of horror films that are being made.
When you're talking horror or sci-fi, you're working in a genre that has loosely certain thematic elements, or, you could even call them rules. But rules are there to be broken. I think that young filmmakers should go all the way back to the history of horror, from silent films like "Nosferatu", and through to today's horror films, so they understand the history of horror films and what has been done. Understand that, and then add something new or original.
What's any artist, but the dregs of his work? the human shambles that follows it around. What's left of the man when the work's done but a shambles of apology.
It's not a weapon, [governments] don't kill, they don't conduct massacres, although massacres have been committed and many people were killed, but they stifle religion, they're afraid probably.
I also remember when I watched Henry: Portrait of a Serial Killer [1990] at, like, age 15. That scared the crap out of me. Because it didn't operate inside the usual conventions of the horror genre in the way that I could accept. I can accept horny teenager counselors being murdered at camp. But I couldn't accept the derangement of Henry: Portrait of a Serial Killer, which was that anyone could be murdered at any moment - whole families, with no build-up music and no meaning. It terrified me.
The lunatic's visions of horror are all drawn from the material of daily fact. Our civilization is founded on the shambles, and every individual existence goes out in a lonely spasm of helpless agony.
But men are less used to the idea of being raped than women are, and it strikes them with a fresh horror. With women, that horror comes right along with the female genitals.
I love horror movies! I've loved horror movies since I was about eight years old, not that an 8-year-old should be watching The Shining, but I was allowed to, for some reason. Ever since then, I've loved good horror movies.
Horror causes men to clench their fists, and in horror men join together.
I love horror movies! I've loved horror movies since I was about eight years old, not that an 8-year-old should be watching 'The Shining', but I was allowed to for some reason.
Mainly horror movies and exploitation movies and a lot of stuff comes from those press books from those old movies. Lines out of old movies, comic books that we collect, all the old horror comics of the 50s, probably about the only comics that we collect are obscure horror comics, the real sick ones from the 50s. Some stuff comes from there but mainly just old records, old rockabilly records and that stuff, singles mainly, 45s.
People expect old men to die, They do not really mourn old men. Old men are different. People look At them with eyes that wonder when ... People watch with unshocked eyes; But the old men know when an old man dies.
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