A Quote by H. L. Mencken

Every autobiography ... becomes an absorbing work of fiction, with something of the charm of a cryptogram. — © H. L. Mencken
Every autobiography ... becomes an absorbing work of fiction, with something of the charm of a cryptogram.
to look back on one's life is to experience the capriciousness of memory. ... the past is not static. It can be relived only in memory, and memory is a device for forgetting as well as remembering. It, too, is not immutable. It rediscovers, reinvents, reorganizes. Like a passage of prose it can be revised and repunctuated. To that extent, every autobiography is a work of fiction and every work of fiction an autobiography.
Comedy is like fictional charm. It's the charm of fiction. Or the charisma of fiction. When you meet somebody who's immediately charismatic, you're attracted to that person. And in fiction it's got to come out in either one of two ways: in the prose itself, and you're hooked immediately because you never want to leave such a colorful and penetrating world. Or, it's simply being a funny writer.
I write fiction and I'm told it's autobiography, I write autobiography and I'm told it's fiction, so since I'm so dim and they're so smart, let them decide what it is or it isn't.
It means that no matter what you write, be it a biography, an autobiography, a detective novel, or a conversation on the street, it all becomes fiction as soon as you write it down.
All fiction is largely autobiographical and much autobiography is, of course, fiction.
'Dreams from My Father' was not a memoir or an autobiography; it was instead, in multitudinous ways, without any question a work of historical fiction.
A man's face is his autobiography. A woman's face is her work of fiction.
'Charm' - which means the power to effect work without employing brute force - is indispensable to women. Charm is a woman's strength just as strength is a man's charm.
Charm" — which means the power to effect work without employing brute force — is indispensable to women. Charm is a woman's strength just as strength is a man's charm.
Every Bond girl has a certain charm, and sometimes - almost every time - that charm is more important than beauty. In the films and in life.
I've written some short stories about my personal experience, but it's not something you can use everywhere. Every novel, every work of fiction, needs its own food.
I don't view my memory as accurate or static - and, in autobiographical fiction, my focus is still on creating an effect, not on documenting reality - so 'autobiographical,' to me, is closer in meaning to 'fiction' than 'autobiography.'
Writing fiction is not a profession that leaves one well-disposed toward reading fiction. One starts out loving books and stories, and then one becomes jaded and increasingly hard to please. I read less and less fiction these days, finding the buzz and the joy I used to get from fiction in ever stranger works of non-fiction, or poetry.
All autobiography is fiction.
Where does the ego get its energy? The ego feeds off your desire to be something else. You are poor and you want to be rich - the ego is absorbing energy, its life-breath. You are ignorant and you want to become a wise one - the ego is absorbing energy. You are a wretched nobody and you want to become powerful - the ego is absorbing energy.
Every actor and actress is possessed of the absorbing passion to create something distinctive and unique.
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