A Quote by Holly Johnson

I feel I have to live a little longer before I write a sequel to my auto biography which covers my experiences up until October 1991. — © Holly Johnson
I feel I have to live a little longer before I write a sequel to my auto biography which covers my experiences up until October 1991.
I feel like real thoughts and emotions involve the whole being. And they also outstrip little personal quirks, and they outstrip biography. You end up on a really special, universal, shared terrain in those experiences. I think it's available to absolutely every single thing made of flesh and blood.
I've given up email. Well, almost. At the weekend I set up one of those auto-reply messages, informing my correspondents that I would no longer be checking my emails, and that instead they might like to call or write, as we used to in the olden days.
For those who turn to literary biography for salacious details, 'Flannery' will disappoint. It is the biography of someone who had very little chance to live in the conventional sense, to experience events.
I always look terrible before the show. That's when I feel worst. And after the show it's like a million bucks. Simple as that. You feel a little tired but you never feel better. Nothing makes me feel as good as those hours between when you walk offstage, until I go to bed. That's the hours that I live for.
Many years ago, I was actually hired to write the sequel to 'Independence Day.' And I wrote a sequel. And they paid me a boatload of money to go write this thing. And after I wrote it, I read it and I gave them back the money and I said, 'Look, this is an okay movie I just wrote. But it's not worthy of the sequel to 'Independence Day.'
I think there are some people that are capable of making a sequel more special than the original. And we have seen that when the original 'Terminator' came out, then Jim Cameron outdid himself with the sequel. Then it became the highest grossing movie of the year when it came out in 1991.
In summer we live out of doors, and have only impulses and feelings, which are all for action, and must wait commonly for the stillness and longer nights of autumn and winter before any thought will subside; we are sensible that behind the rustling leaves, and the stacks of grain, and the bare clusters of the grape, there is the field of a wholly new life, which no man has lived; that even this earth was made for more mysterious and nobler inhabitants than men and women. In the hues of October sunsets, we see the portals to other mansions than those which we occupy.
I store away my experiences and don't feel really happy until I've found a way to write about them.
Before really high-pressured gigs I tend to freeze and crawl into bed. Under the covers you just feel safe for a little while.
When we begin to reflect Christ, the Bible, when more understood as being centered around Christ, seems to be potentially every man's biography regarding God's promised experiences and truth for him - his individual, unique path of humbling oneself before the Lord and then being exalted by the Lord back into his true and righteous personhood. Many followers may speak of it merely to try to change other people (before changing themselves), but the prophets speak of it as a living word which miraculously tells their very own experiences.
It's a feature of our age that if you write a work of fiction, everyone assumes that the people and events in it are disguised biography — but if you write your biography, it's equally assumed you're lying your head off.
There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
I do choose to write for a living - in addition to writing plays. I no longer write sitcoms, and I no longer feel shame.
You should give up.' 'Why?' 'For one thing, you'll live longer.' 'Oh, you don't live longer. It just seems longer.
People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
If you want to be a writer, write. Write and write and write. If you stop, start again. Save everything that you write. If you feel blocked, write through it until you feel your creative juices flowing again. Write. Writing is what makes a writer, nothing more and nothing less.
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