A Quote by Horst Faas

A Leica camera is a camera we can keep both eyes open. You can look for the free eye that doesn't look to viewfinder and in all directions. It's like backwards - and sometimes also backwards, and you can look for the viewfinder and see your picture.
I look very different on camera compared with how I do in real life. On camera, I look my best when everything is enhanced, especially my eyes - I like a smoky eye. In real life, I like myself best in tinted moisturiser, lip balm and mascara.
Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on.
The digital process gives me total control over how I want the film to look. The films look like they did when I was first looking through the viewfinder.
It's a hard job to get the camera to see it like you see it. Sometimes you have it just the way you want it, and then you look in the camera and you don't have the balance. The main thing is to get the camera to see it the way you see it.
'Ornithologists concluded that migratory birds take hundreds of naps as they fly; they also practice unilateral eye closure, in which one eye closes, thereby permitting half the brain to sleep.' Is this what happens when photographers close one eye to look through a viewfinder? If so, they might be operating with only half a brain. Perhaps that explains.
I make the woman look at the camera as a symbol of all the eyes that will see the picture I am making.
If you watch fights cage-side, sometimes different punches look better than others. It's like camera angles. Sometimes some punches look a lot better than they were, and sometimes a solid punch doesn't look good. So it just depends on your angle.
I'm a bookworm. I know with my physical appearance that I don't look like the typical reader. I'm in Barnes & Noble all the time, and you can look at people that look like they are supposed to be in there. I am in there, pants sagging, hat backwards.
I don't really have a favorite camera. I use a Leica and Canon a lot. It depends, especially professionally, on the requirements. But my carry-around camera is a Leica.
Tell a story with your eyes when you face the camera - it makes all the difference. My best tip for making skin look good in photographs is to go easy on the make-up. You don't want it to look heavy and mask-like.
Look. This is your world! You can't not look. There is no other world. This is your world; it is your feast. You inherited this; you inherited these eyeballs; you inherited this world of color. Look at the greatness of the whole thing. Look! Don't hesitate - look! Open your eyes. Don't blink, and look, look - look further.
I learned to run backwards from Muhammad Ali. He told me about running backwards because you try to imitate everything you do in the ring, so sometimes you back up. So you have to train your legs to go backwards.
To be honest, I don't know... something about the camera like turns me into such a diva. Like when it's on and I see my face in the camera, I'm just like, oh girl you look so good!
Animals give me more pleasure through the viewfinder of a camera than they ever did in the crosshairs of a gunsight.
Running backwards down the stairs, holding the camera, trying to focus on what's in front of you is difficult, and you need to be able to protect the camera.
I don't really diet or anything. I'm miserable when I'm dieting and I like the way I look. I'm really sick of all these actresses looking like birds I'd rather look a little chubby on camera and look like a person in real life, than look great on screen and look like a scarecrow in real life.
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